Do Re MiC D E

Benny's Tune

Loueke Lionel4/4afro
A♯/F
A♯/F
A♯/F
A♯/F
G♯maj7♯11
D/A
F7sus4
C/G
D♯13
A♯/F
A♯/F
G♯maj7♯11
F♯maj7♯5
G♯7♭5/A♭
A♯/F
A♯/F
A♯/F
A♯/F
A♯/F
Bmaj7♯11

Chord Diagrams — Benny's Tune in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯m6
4frEADGBE11x324
EADGBE111x32
7frEADGBExx2314
11frEADGBE111234
A♯/F
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
G♯maj7♯11
EADGBE111123
4frEADGBE111234
8frEADGBE11x423
11frEADGBE11x234
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
D/A
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342
F7sus4
EADGBE111134
6frEADGBE111234
8frEADGBE111134
10frEADGBE11xx34
C/G
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
G♯7♯11
6frEADGBExx1234
3frEADGBE2x341x
10frEADGBE11x234
11frEADGBE111x23
Em7♭5
7frEADGBEx1324x
EADGBE33312
8frEADGBE11xx24
11frEADGBE2x341x
F♯maj7♯5
6frEADGBE111432
EADGBE1x234x
9frEADGBEx1423x
11frEADGBE11xx24
G♯7♭5/A♭
6frEADGBExx1234
3frEADGBE2x341x
9frEADGBE11x243
11frEADGBE11x23x
C♯6
6frEADGBE111423
EADGBEx4231x
4frEADGBE3333x1
9frEADGBE11x324
C7♯9
8frEADGBE111324
EADGBEx2134x
3frEADGBE11x32
9frEADGBExx2134
Bmaj7♯11
7frEADGBE111234
EADGBE11x234
6frEADGBE111123
11frEADGBE11x423

Explore More

Benny's Tune in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to G (descending half step), G to D (descending perfect fourth), D to F (ascending minor third), F to C (descending perfect fourth), C to D# (ascending minor third), D# to G# (ascending perfect fourth), G# to E (descending major third), E to F# (ascending whole step), F# to G# (ascending whole step), G# to C# (ascending perfect fourth), C# to C (descending half step), C to B (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to D# by major third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

afro4/4 · 35 bars · Form: AB

Chords: D♯m6, A♯/F, G♯maj7♯11, Gm7, D/A, F7sus4, C/G, D♯13, G♯7♯11, Em7♭5, F♯maj7♯5, G♯7♭5/A♭, C♯6, C7♯9, Bmaj7♯11.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#