Do Re MiC D E

Ballad For Very Tired And Very Sad Lotus Eaters

Strayhorn Billy4/4medium-swing
F♯m9♭5
B13♭9
A♯9♯11
F♯m7/E♭
Edim7/E♭
F♯m7/E♭
F♯m9♭5
B13♭9
A♯9♯11
F♯m7/E♭
Edim7/E♭
Bm7/G♭
C♯m7/C
Dmaj7/B♭
Em7/D♯
Fmaj7/C♯
Cmaj7/B
F♯m7/E♭
F♯m9♭5
B13♭9
B7sus4
E69
B7sus4

Chord Diagrams — Ballad For Very Tired And Very Sad Lotus Eaters in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m9♭5
F♯ - G♯ - A - C - E
B13♭9
4frEADGBE111432
EADGBE44x213
EADGBE111134
7frEADGBE111234
Edim7
6frEADGBEx2314x
EADGBE123
EADGBExx1324
11frEADGBE112x3x
Emaj7
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
B13
7frEADGBE111234
EADGBE44x213
EADGBE111134
4frEADGBE111432
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
A♯9♯11
8frEADGBExx1234
EADGBEx123
5frEADGBE11123x
12frEADGBE11x234
Amaj7
7frEADGBE333x1
EADGBEx213
EADGBE111x4
5frEADGBE111423
F♯9
8frEADGBE221334
EADGBE111324
3frEADGBExx2143
11frEADGBE1111x2
C7
8frEADGBE111132
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
F♯m7/E♭
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
Edim7/E♭
11frEADGBE112x3x
EADGBE123
EADGBExx1324
6frEADGBEx2314x
B7
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
Bm7/G♭
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
E7
7frEADGBE111134
EADGBE21
5frEADGBEx3241x
9frEADGBE111xx2
C♯m7/C
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
Dmaj7/B♭
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
Fdim7
7frEADGBE111234
EADGBE1x23
EADGBE11xx34
12frEADGBE3x142x
Em6
8frEADGBExx2314
EADGBE123
EADGBE11132
5frEADGBE11x324
D♯dim7
7frEADGBExx1324
EADGBExx1324
5frEADGBE11x234
10frEADGBE112x3x
Dm7
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
Em7/D♯
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
Fmaj7/C♯
8frEADGBE111324
EADGBExx321
EADGBE111423
3frEADGBE11x333
G♯dim7
10frEADGBE111234
EADGBExx12
EADGBE112x34
6frEADGBExx1324
Cmaj7/B
10frEADGBE333xx1
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
Gm7♭5
10frEADGBEx1324x
EADGBE3xx421
EADGBE2x341x
5frEADGBE222xx1
E7♭9
10frEADGBE3241xx
EADGBE312
4frEADGBE1134
6frEADGBE11x234
B7sus4
7frEADGBE111134
EADGBEx123
2frEADGBE111134
4frEADGBE1122xx
E69
6frEADGBE11x234
EADGBE22134
9frEADGBE11111x
11frEADGBE11134

Explore More

Ballad For Very Tired And Very Sad Lotus Eaters in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to B (ascending unison), B to A# (descending half step), A# to A (descending half step), A to F# (descending minor third), F# to C (ascending tritone), C to F# (ascending tritone), F# to E (descending whole step), E to B (descending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to C# (descending minor third), C# to D (ascending half step), D to F (ascending minor third), F to E (descending half step), E to D# (descending half step), D# to D (descending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to E (ascending major third), E to F (ascending half step), F to G# (ascending minor third), G# to C (ascending major third), C to G (descending perfect fourth), G to E (descending minor third), E to B (descending perfect fourth), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to F# by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 32 bars · Form: ABA

Chords: F♯m9♭5, B13♭9, Edim7, Emaj7, F♯m7, B13, Bm7, A♯9♯11, Amaj7, F♯9, C7, F♯m7/E♭, Edim7/E♭, B7, Bm7/G♭, E7, C♯m7/C, Dmaj7/B♭, Fdim7, Em6, D♯dim7, Dm7, G7, Cmaj7, Em7/D♯, Fmaj7/C♯, G♯dim7, Cmaj7/B, Gm7♭5, E7♭9, B7sus4, E69.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E