Do Re MiC D E

Backward Step, The

Payton Nicholas4/4even-8ths
G7sus4
D♯7sus4
G7sus4
D♯7sus4
G7sus4
E7sus4
D♯7sus4
D♯7sus4
D♯7sus4

Chord Diagrams — Backward Step, The in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G7sus4
3frEADGBE111134
EADGBE1123
8frEADGBE11x234
10frEADGBE111134
D♯7sus4
EADGBExx1324
4frEADGBE11x234
6frEADGBE111134
11frEADGBE111134
E7sus4
EADGBE23
5frEADGBE11x234
7frEADGBE111134
9frEADGBE11xx23
D7♯9
4frEADGBEx2134x
7frEADGBE412
7frEADGBE111x23
10frEADGBE111324

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Backward Step, The in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G to D# (descending major third), D# to E (ascending half step), E to D (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to G by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 10 bars · Form: A

Chords: G7sus4, D♯7sus4, E7sus4, D7♯9.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#