Au Privave in La#

Charlie Parker(1951)swingUp Tempo
A

Chord Diagrams — Au Privave in La# (Guitar)

Au Privave in La#

Charlie Parker's bebop blues relies on precise Mixolydian and Bebop vocabulary deployed over a snappy A# groove with characteristic Bird wit. The compact 12-bar form distills bebop language to its essentials without sacrificing harmonic depth. Study the A#7 – D#7 – Dm7 – G7 – Cm7 – F7 changes to refine bebop blues phrasing, articulation, and rhythmic precision.

Au Privave in La#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to D# (ascending perfect fourth), D# to D (descending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 12 bars · Form: A

Chords: La♯7, Re♯7, Rem7, Sol7, Dom7, Fa7.

Scales for Improvisation La# major blues, La# mixolydian, La# bebop, La# bebop major, La# major pentatonic.