Do Re MiC D E

April In Paris

Duke Vernon4/4medium-swing

Chord Diagrams — April In Paris in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯7♭9sus4
4frEADGBE11xx23
EADGBE111x2
5frEADGBE11xx23
10frEADGBE11x234
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
G♯7♭9
5frEADGBE11xx23
EADGBE111x2
4frEADGBE11xx23
10frEADGBE11x234
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
F♯maj7
6frEADGBE111x43
EADGBE111423
4frEADGBE11x333
9frEADGBE111324
Cm7♭5
8frEADGBE111234
EADGBEx1324x
4frEADGBE11xx24
10frEADGBE333xx1
F7
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2
A♯m
8frEADGBExx1342
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
A♯m/G
8frEADGBExx1342
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
Gm7♭5
10frEADGBEx1324x
EADGBE3xx421
EADGBE2x341x
5frEADGBE222xx1
C7♭9
9frEADGBExx3142
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
Cm7
8frEADGBE111113
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
Fm7♭5
8frEADGBEx1324x
EADGBE1x23x
EADGBE222xx1
11frEADGBE2134x
A♯7♭9
6frEADGBE111x23
EADGBEx123
4frEADGBE3241xx
12frEADGBE11x234
F♯dim7
4frEADGBExx1324
EADGBE112x3x
EADGBE111234
8frEADGBE111234
C♯/E
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
Edim7
6frEADGBEx2314x
EADGBE123
EADGBExx1324
11frEADGBE112x3x
C♯6
6frEADGBE111423
EADGBEx4231x
4frEADGBE3333x1
9frEADGBE11x324
Fmaj7
8frEADGBE111324
EADGBExx321
EADGBE111423
3frEADGBE11x333
D♯m7
7frEADGBExx2314
EADGBExx1423
6frEADGBE111132
11frEADGBE111114
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132

Explore More

April In Paris in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to G (descending minor third), G to C (ascending perfect fourth), C to C (ascending unison), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to F# (descending major third), F# to C# (descending perfect fourth), C# to E (ascending minor third), E to C# (descending minor third), C# to F (ascending major third), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to G# by perfect fourth.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 32 bars · Form: ABCD

Chords: G♯7♭9sus4, C♯maj7, D♯m7♭5, G♯7♭9, G♯m7, C♯7, F♯maj7, Cm7♭5, F7, A♯m, A♯m/G, Gm7♭5, C7♭9, Cm7, Fm7♭5, A♯7♭9, F♯dim7, C♯/E, Edim7, C♯6, Fmaj7, D♯m7, G♯7, D♯7.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#