Ana Maria in F#

Wayne Shorter()swing
Do Re MiC D E
A
C♯7♭9sus4
A9/C♯
C♯7♭9sus4
A9/C♯
C♯7♭9sus4
A9/C♯
C♯7♭9sus4
A9/C♯
Aadd9/C♯
C♯13
Aadd9/C♯
GMaj7/B
CMaj7♯11
E/D
F♯9sus4
G♯/F♯
F♯9sus4
Dadd9/F♯
C♯7♭9sus4
A9/C♯
C♯7♭9sus4
A9/C♯
C♯13
A/B
A♯7♯9♭5
A9sus4
B7♯5
Emadd9
E/D
F♯9sus4
E9sus4
G13
B7♯5
Emadd9
E/D
F♯9sus4
C♯7♭9sus4
AMaj9/C♯
C♯7♭9sus4
AMaj9/C♯

Chord Diagrams — Ana Maria in F# (Guitar)

Display
FingerNoteDegree
C♯7♭9sus4
C♯ - F♯ - G♯ - B - D
A9/C♯
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
Aadd9/C♯
EADGBEx132
5frEADGBExx32149frEADGBE11x32411frEADGBEx21x34
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
GMaj7/B
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
CMaj7♯11
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
E/D
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯9sus4
F♯ - B - C♯ - E - G♯
G♯/F♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
Dadd9/F♯
2frEADGBE11x324
5frEADGBEx12347frEADGBExx31410frEADGBExx3214
A/B
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
A♯7♯9♭5
A♯ - D - F - G♯ - B♯# - E
A9sus4
A - D - E - G - B
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
B7♯5
EADGBEx2134
2frEADGBEx2137frEADGBE1x234x9frEADGBExx1423
Emadd9
EADGBE11xx34
5frEADGBEx3214x6frEADGBEx31248frEADGBEx1432
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
E9sus4
E - A - B - D - F♯
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
Fm9
EADGBE111134
EADGBEx12346frEADGBE2222x111frEADGBE22221
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
AMaj9/C♯

Ana Maria in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to A (descending major third), A to C# (ascending major third), C# to A (descending major third), A to C# (ascending major third), C# to G (ascending tritone), G to C (ascending perfect fourth), C to D (ascending whole step), D to E (ascending whole step), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to G# (ascending whole step), G# to D (ascending tritone), D to A (descending perfect fourth), A to A# (ascending half step), A# to A (descending half step), A to G# (descending half step), G# to B (ascending minor third), B to E (ascending perfect fourth), E to E (ascending unison), E to D# (descending half step), D# to B (descending major third), B to E (ascending perfect fourth), E to G (ascending minor third), G to F (descending whole step), F to A (ascending major third), A to A# (ascending half step), A# to A (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to C# by major third.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 58 bars · Form: A

Chords: C♯7♭9sus4, A9/C♯, C♯Maj7, Aadd9/C♯, C♯13, GMaj7/B, CMaj7♯11, Dm7, E/D, C♯m7, F♯9sus4, G♯/F♯, Dadd9/F♯, A/B, A♯7♯9♭5, A9sus4, G♯Maj7, B7♯5, Emadd9, EMaj7, D♯m7, Bm9, E9sus4, G13, Fm9, Am7, A♯m7, AMaj9/C♯.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#