Alone Together in Si

Arthur Schwartz()balladBallad

Alone Together in Si

Alone Together in Si

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to G (ascending half step), G to F# (descending half step), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to B by minor third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: AABA

Chords: Sim, Do♯m7♭5, Fa♯7♭9, Sol7, Fa♯7, Fa♯m7♭5, Si7♭9, Mim, Mim7♭5, La7♭9, Re, Re7.

Scales for Improvisation Si bebop minor, Si bebop.