How to practice A Ghost of a Chance with play-along tracks?

Use the play-along backing track above to practice A Ghost of a Chance in the key of G#. Listen to the audio with bass, piano, and drums, start by playing the melody, then practice improvisation and soloing over the chord changes.

What scales to use for soloing over A Ghost of a Chance?

For soloing over A Ghost of a Chance, recommended scales include: bebop, bebop major. Use arpeggio patterns over each chord to create melodic lines that follow the harmony of this jazz tune.

Who composed A Ghost of a Chance?

A Ghost of a Chance was composed by Ned Washington / Victor Young in 1932. It is a swing standard in 4/4 time. The original key is C; this page shows it transposed to G#.

What key is A Ghost of a Chance in?

The original key of A Ghost of a Chance is C. The form is A with 33 bars. This page shows the chart transposed to G#.

What scales work for improvising over A Ghost of a Chance?

Recommended scales for A Ghost of a Chance in G#: bebop, bebop major. Scales and arpeggios update in real-time as each chord plays, with context-aware analysis (e.g., Phrygian Dominant over secondary dominants).

How does the interactive backing track work?

The backing track plays with realistic walking bass, drum patterns, and voice-led chord voicings. Scales and arpeggios update in real-time as each chord plays. You can limit the fretboard zone for close-proximity voicings, toggle a reference melody, loop any section, and choose between multiple sound presets. Works for guitar, piano, bass, ukulele, and 7 more instruments.

Can I edit the chord chart?

Yes. You can modify the structure, chords, and arrangement of any standard to match your preferred version or create your own reharmonization.

A Ghost of a Chance in G#

Ned Washington / Victor Young(1932)swing

Do Re MiC D E

BPM: 120

Chord Diagrams — A Ghost of a Chance in G# (Guitar)

Display

FingerNoteDegree

Chord Voicings Closest Voicing

D♯7♯5

A Ghost of a Chance in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to D# (descending perfect fourth), D# to C (descending minor third), C to F (ascending perfect fourth), F to C# (descending major third), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to C (descending minor third), C to G# (descending major third), G# to D (ascending tritone), D to G (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to G# by half step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 33 bars · Form: A

Chords: G♯, D♯7♯5, Cm7♭5, F7, C♯m7, F♯7, Cm7, Fm7, A♯m7, D♯7, C7, G♯6, Dm7♭5, G7.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#