How to practice A Felicidade with play-along tracks?

Use the play-along backing track above to practice A Felicidade in the key of F#. Listen to the audio with bass, piano, and drums, start by playing the melody, then practice improvisation and soloing over the chord changes.

What scales to use for soloing over A Felicidade?

For soloing over A Felicidade, recommended scales include: bebop minor, bebop. Use arpeggio patterns over each chord to create melodic lines that follow the harmony of this jazz tune.

Who composed A Felicidade?

A Felicidade was composed by Antônio Carlos Jobim / Vinícius de Moraes in 1958. It is a swing standard in 4/4 time. The original key is C; this page shows it transposed to F#.

What key is A Felicidade in?

The original key of A Felicidade is C. The form is A with 65 bars. This page shows the chart transposed to F#.

What scales work for improvising over A Felicidade?

Recommended scales for A Felicidade in F#: bebop minor, bebop. Scales and arpeggios update in real-time as each chord plays, with context-aware analysis (e.g., Phrygian Dominant over secondary dominants).

How does the interactive backing track work?

The backing track plays with realistic walking bass, drum patterns, and voice-led chord voicings. Scales and arpeggios update in real-time as each chord plays. You can limit the fretboard zone for close-proximity voicings, toggle a reference melody, loop any section, and choose between multiple sound presets. Works for guitar, piano, bass, ukulele, and 7 more instruments.

Can I edit the chord chart?

Yes. You can modify the structure, chords, and arrangement of any standard to match your preferred version or create your own reharmonization.

A Felicidade in F#

Antônio Carlos Jobim / Vinícius de Moraes(1958)swing

Do Re MiC D E

BPM: 120

Chord Diagrams — A Felicidade in F# (Guitar)

Display

FingerNoteDegree

Chord Voicings Closest Voicing

C♯m/G♯

Bm7/A

G♯m♭5

F♯m7/E

B7/D♯

Bm7/D

C♯7♭9

A Felicidade in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to D (descending major third), D to C# (descending half step), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to B (descending whole step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to F# (descending minor third), F# to B (ascending perfect fourth), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to B (descending whole step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G# (ascending tritone), G# to F# (descending whole step), F# to E (descending whole step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to D# (ascending half step), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison), B to C# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to F# by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 65 bars · Form: A

Chords: F♯m, D9, C♯m/G♯, G♯7♭9, C♯m, Bm7, E7, AMaj7, F♯7♭9, Bm7/A, G♯m7♭5, C♯7, Bm, Em7, A7, D, G♯m♭5, F♯m7, E7♭9, A, D7, DMaj7, D♯m7♭5, C♯m7, F♯7, F♯m7/E, B7/D♯, Bm7/D, C♯7♭9.

Scales for Improvisation F# bebop minor, F# bebop.

Diatonic chords: See all chords in the key of F#