D# Phrygian Dominant Guitar Scale

Guitar scale — fretboard diagramIntermediate

D# phrygian dominant scale — 6-string guitar fretboard diagramInteractive fretboard diagram showing the D# phrygian dominant scale on 6-string guitar with 22 frets. Notes: E, G, G#, A#, B, C#, D#.EGG#A#BC#D#EGG#A#BC#BC#D#EGG#A#BC#D#EGG#GG#A#BC#D#EGG#A#BC#D#ED#EGG#A#BC#D#EGG#A#BA#BC#D#EGG#A#BC#D#EGEGG#A#BC#D#EGG#A#BC#1357911121315171921

What chords fit over D# Phrygian Dominant?

Open D# Phrygian Dominant Harmonizer

D# Phrygian Dominant Scale — Notes and Intervals

The D# Phrygian Dominant scale, also known as the Spanish Gypsy scale, is the definitive sound of Flamenco, Klezmer, and Middle Eastern music. On Guitar, the notes are D#, E, G, G#, A#, B, C#. It sounds exotic, passionate, and aggressive, and is a favorite for metal guitarists and composers of high-drama scores. Commonly used in Flamenco, Metal, Middle Eastern, Klezmer, Film Scores. Notable players include Marty Friedman, Paco de Lucia, Ritchie Blackmore, Al Di Meola. Use over dominant chords in flamenco/metal contexts, especially V7 in harmonic minor. The go-to for 'Spanish' or 'Arabic' sounding lines.

Notes: D#, E, G, G#, A#, B, C#

Intervals: 1P, 2m, 3M, 4P, 5P, 6m, 7m

Degrees: 1 b2 3 4 5 b6 b7

Formula: H-WH-H-W-H-W-W

Number of notes: 7

Also known as: spanish, phrygian major

Musical Character

ExoticPassionateAggressiveOriental

The major 3rd within a Phrygian framework (b2, b6, b7) creates a scale that sounds simultaneously 'eastern' and 'powerful'. The b2-3 interval (augmented 2nd) is its signature exotic leap.

Genres & Notable Artists

Genres: Flamenco, Metal, Middle Eastern, Klezmer, Film Scores

Notable players: Marty Friedman, Paco de Lucia, Ritchie Blackmore, Al Di Meola

How to Use the D# Phrygian Dominant Scale

Use over dominant chords in flamenco/metal contexts, especially V7 in harmonic minor. The go-to for 'Spanish' or 'Arabic' sounding lines.

Origin & Background

The 5th mode of harmonic minor. The definitive sound of flamenco guitar, klezmer music, and Middle Eastern traditions.

How to Play D# Phrygian Dominant on Guitar

Place your index finger at fret 11 on the 6th (low E) to find your D# root note. Use a three-notes-per-string fingering to cover the full scale in one position, or learn the CAGED shapes to navigate the entire fretboard. An alternative starting point is 6th fret on the A string.

The D# Phrygian Dominant scale contains 4 sharps (D#, G#, A#, C#). Its relative major is G major, which shares the same key signature.

Practice Routine

Practice the D# Phrygian Dominant scale by playing it ascending with one rhythmic feel (straight eighth notes) and descending with another (swing or triplets) at 80 BPM. This dual approach trains both technical accuracy and rhythmic versatility with the 7 notes of the scale.

Experiment with simple two-chord vamps rooted on D# to let the characteristic intervals of the Phrygian Dominant scale come through clearly. This scale is especially effective in film scores contexts.

Guitar Tips

On guitar, try playing the D# Phrygian Dominant scale using legato technique (hammer-ons and pull-offs) to develop a smooth, connected sound. This is particularly effective for longer scale runs. Aim for a exotic quality in your phrasing to match the natural character of this scale.

Related Scales

Phrygian Dominant is the 5th mode of the Harmonic Minor scale. View D# Harmonic minor scale

The D# Phrygian Dominant scale contains 7 notes (D#, E, G, G#, A#, B, C#). Use the interactive fretboard above to explore this scale on Guitar with different tunings and fret ranges.

CAGED Positions & Patterns for D# Phrygian Dominant

The D# Phrygian Dominant scale can be played in 5 CAGED positions across the fretboard, each based on an open chord shape (C, A, G, E, D). As a 7-note scale, it also lends itself to 3-notes-per-string (3NPS) patterns that facilitate legato playing and diagonal shifting. Use the pattern selector above to isolate each position.

Explore D# Phrygian Dominant Further

Explore D# Phrygian Dominant in Other Tunings

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