F♯ oriental scale diatonic chords
F♯ oriental scale seventh chords
scale
Fretboard diagram
F# oriental scale — chords and intervals
The harmonized F# oriental scale generates an aggressive, dissonant chord family designed to create tension and unease. The chords from F# oriental are F# unknown, G augmented, C unknown, B major, C major, D# minor, E minor. Film and television composers use these chords to signal danger and ancient mystery. The harsh harmonic intervals create a sense of foreboding that is difficult to achieve with more common chord families. Commonly used in Film Scores, Metal, Experimental. Notable players include Hans Zimmer, John Williams.
The F# oriental scale has the following degrees: 1 ♭2 3 4 ♭5 6 ♭7.
Intervals: H-3H-H-H-3H-H-W.
Diatonic chords: F# unknown, G augmented, C unknown, B major, C major, D# minor, E minor.
| Degrees | Chord |
|---|---|
| I | F# unknown |
| ii | G augmented |
| iii | C unknown |
| IV | B major |
| V | C major |
| vi | D# minor |
| vii° | E minor |
Degree-by-Degree Analysis
The I chord (F# unknown) is the tonic — the gravitational center of the key. The ii chord (G augmented) is the minor subdominant, commonly used to approach the V chord. The iii chord (C unknown) functions as a substitute for the I or vi. The IV chord (B major) is the subdominant — it adds motion and moderate tension. The V chord (C major) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (D# minor) is the relative minor — it brings emotional color and depth. The vii° chord (E minor) is the diminished — the most tense, rarely used alone, usually leading to the I.
This page focuses on the harmonic content — the chords built from each degree of the F# oriental scale. For fretboard patterns and fingering guides, see the scale page.
Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F# oriental scale on guitar.
Related Scales
How to Use This Scale
Use over sustained bass notes or pedal tones. Best in dramatic, cinematic contexts rather than over standard chord changes.