F kafi raga scale diatonic chords
F kafi raga scale seventh chords
scale
Fretboard diagram
F kafi raga scale — chords and intervals
The harmonized F kafi raga scale yields a warm, romantic chord family that mirrors Western Dorian harmony with an Indian character. The chords from F kafi raga are F major, Bb unknown, A diminished, Bb unknown, C unknown, E unknown, F unknown, E unknown. The accessible, joyful chord colors make this family welcoming and versatile. Use these chords for folk-inspired compositions that need a warm, playful quality. Commonly used in Indian Classical, Folk, World, Fusion. Notable players include Ali Akbar Khan, Zakir Hussain.
The F kafi raga scale has the following degrees: 1 ♭3 3 4 5 6 ♭7 7.
Intervals: 3H-H-H-W-W-H-H-H.
Diatonic chords: F major, Bb unknown, A diminished, Bb unknown, C unknown, E unknown, F unknown, E unknown.
| Degrees | Chord |
|---|---|
| I | F major |
| ii | Bb unknown |
| iii | A diminished |
| IV | Bb unknown |
| V | C unknown |
| vi | E unknown |
| vii° | F unknown |
| 8 | E unknown |
Degree-by-Degree Analysis
The I chord (F major) is the tonic — the gravitational center of the key. The ii chord (Bb unknown) is the minor subdominant, commonly used to approach the V chord. The iii chord (A diminished) functions as a substitute for the I or vi. The IV chord (Bb unknown) is the subdominant — it adds motion and moderate tension. The V chord (C unknown) is the dominant — it creates the strongest tension that wants to resolve to the I. The vi chord (E unknown) is the relative minor — it brings emotional color and depth. The vii° chord (F unknown) is the diminished — the most tense, rarely used alone, usually leading to the I.
This page focuses on the harmonic content — the chords built from each degree of the F kafi raga scale. For fretboard patterns and fingering guides, see the scale page.
Use the interactive harmonizer above to explore triads, seventh chords, and chord voicings for composing with the F kafi raga scale on guitar.
Related Scales
How to Use This Scale
Use over m7 chords — identical to Dorian usage. The most 'jazz-friendly' raga for fusion experimentation.