D# 6/9 Guitar Chord

All positions and voicings on the fretboard

No playable voicings found for this chord. Try a different chord type or root note.

D# 6/9 filtered by fret:

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* Some chords may have different name than the selected one but the same exact notes. This is what is called Enharmonic chords.

D# 6/9 — chord details

The D# 6/9 chord is made up of the following notes: D#, F##, A#, B#, E#.

Intervals: 1P, 3M, 5P, 6M, 9M.

The diagrams above show every voicing and chord variation for D# 6/9 on guitar. Use the fret filter to narrow down voicings within a specific fret range — ideal for finding close-proximity chords when composing or arranging.

Note: D# is enharmonically equivalent to Eb. Chord shapes are the same.

The D# six-nine chord combines a major triad with both the sixth and ninth, producing D#, F##, A#, B#, E# (intervals 1P, 3M, 5P, 6M, 9M). This polychord-like voicing has a rich, stacked quality that sounds modern yet classic. Six-nine chords are versatile final chords in jazz, funk, and gospel, providing a sense of resolution with colorful overtones that keep the ear engaged.

How to Play D# 6/9

On guitar, D# 6/9 typically requires a barre or partial barre voicing. Experiment with different positions to find the voicing that best suits your playing context — higher positions sound brighter and tighter, while lower positions offer more bass and resonance. CAGED system shapes help navigate these options efficiently.

D# 6/9 in Progressions

D# 6/9 appears in various harmonic contexts depending on the key. Analyze the surrounding chords to determine its function — it may serve as a primary chord, a substitution, or a chromatic color chord that enriches the harmonic palette of a progression.

Common Substitutions

D#maj7, D#6, or D#maj9 work as substitutes with comparable harmonic warmth.

Difficulty: On guitar, this chord typically requires a barre — intermediate difficulty, but essential for playing in sharp keys.

Explore D# 6/9 Further

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