Escala de Fa Mixolidia para Mandolina — Standard
Posiciones para Mandolina en afinación Standard
Fa Mixolidia en Standard — Notas e Intervalos
La escala Mixolidia de F es el quinto modo de la mayor — y el corazón del rock and roll y el blues. En Mandolina, las notas son F, G, A, Bb, C, D, Eb. Suena mayor pero con un final más relajado y blusero gracias a esa séptima menor. Va genial para improvisar sobre acordes de séptima dominante y darle ese toque que tienen los Rolling Stones o AC/DC. Los acordes diatónicos de F Mixolidia son F7, Gm7, Am7b5, BbMaj7, Cm7, Dm7, EbMaj7. Usada comúnmente en Blues, Rock, Country, Folk, Funk. Entre los intérpretes destacados se encuentran Jimi Hendrix, The Allman Brothers, AC/DC, Stevie Ray Vaughan. Use over dominant 7th chords (7, 9, 13). The primary scale for blues-rock soloing over non-resolving dominant chords.
Notas: Fa, Sol, La, Sib, Do, Re, Mib
Intervalos: 1P, 2M, 3M, 4P, 5P, 6M, 7m
Grados: 1 2 3 4 5 6 b7
Fórmula: W-W-H-W-W-H-W
Número de notas: 7
Afinación: Standard (G-D-A-E)
También conocido como: dominant
Acordes Diatónicos
F7 — Gm7 — Am7♭5 — B♭Maj7 — Cm7 — Dm7 — E♭Maj7
Acerca de la Afinación Standard
The mandolin is tuned in fifths — G-D-A-E from low to high — the same intervals as a violin. This tuning gives the mandolin its distinctive bright, penetrating tone that cuts through any ensemble. With only four courses of doubled strings and 20 frets, the mandolin rewards precise melodic playing and rapid tremolo picking.
From Bill Monroe's invention of bluegrass to Chris Thile's genre-defying virtuosity with Punch Brothers, the mandolin has proven itself far beyond its folk roots. Its fifths tuning makes it a natural partner for fiddle players, and its compact fretboard encourages creative chord voicings and rapid scale runs that are impossible on guitar. The mandolin is also central to Italian classical music, Brazilian choro, and Irish traditional music.
Artistas destacados: Bill Monroe, Chris Thile, David Grisman, Sam Bush, Sierra Hull
Ideal para: Bluegrass leads, Celtic melodies, tremolo picking, and any ensemble that needs a bright, cutting melodic voice