Escala de Re Ultralocria para Mandolina — Standard
Posiciones para Mandolina en afinación Standard
Re Ultralocria en Standard — Notas e Intervalos
La escala Ultralocria de D es extremadamente oscura y condensada — ideal para crear tensión cromática intensa. En Mandolina, las notas son D, Eb, F, Gb, Ab, Bb, B. Se usa en jazz de vanguardia y música ambiental oscura para explorar los límites más disonantes de la tonalidad menor. No es para todos los días, pero tiene su momento. Usada comúnmente en Avant-Garde, Dark Ambient, Experimental Jazz. Entre los intérpretes destacados se encuentran John Zorn, Derek Bailey. Use over dim7 chords in avant-garde contexts. More of a compositional tool than an improvisational one.
Notas: Re, Mib, Fa, Solb, Lab, Sib, Si
Intervalos: 1P, 2m, 3m, 4d, 5d, 6m, 7d
Grados: 1 b2 b3 4 5 b6 7
Fórmula: H-W-H-W-W-H-WH
Número de notas: 7
Afinación: Standard (G-D-A-E)
También conocido como: superlocrian bb7, superlocrian diminished
Acerca de la Afinación Standard
The mandolin is tuned in fifths — G-D-A-E from low to high — the same intervals as a violin. This tuning gives the mandolin its distinctive bright, penetrating tone that cuts through any ensemble. With only four courses of doubled strings and 20 frets, the mandolin rewards precise melodic playing and rapid tremolo picking.
From Bill Monroe's invention of bluegrass to Chris Thile's genre-defying virtuosity with Punch Brothers, the mandolin has proven itself far beyond its folk roots. Its fifths tuning makes it a natural partner for fiddle players, and its compact fretboard encourages creative chord voicings and rapid scale runs that are impossible on guitar. The mandolin is also central to Italian classical music, Brazilian choro, and Irish traditional music.
Artistas destacados: Bill Monroe, Chris Thile, David Grisman, Sam Bush, Sierra Hull
Ideal para: Bluegrass leads, Celtic melodies, tremolo picking, and any ensemble that needs a bright, cutting melodic voice