Escala de Re# Locria #2 para Mandolina — Standard
Posiciones para Mandolina en afinación Standard
Re# Locria #2 en Standard — Notas e Intervalos
La escala Locria #2 de D# es una versión más usable del modo Locrio estándar. En Mandolina, las notas son D#, F, F#, G#, A, B, C#. Es la opción preferida en jazz para improvisar sobre acordes semidisminuidos — esa segunda natural permite una conducción de voces mucho más suave y melódica que el Locrio puro. Usada comúnmente en Jazz, Post-Bop, Contemporary. Entre los intérpretes destacados se encuentran John Coltrane, Woody Shaw, Steve Coleman. Use over m7b5 chords. The preferred jazz choice over half-diminished chords (vs standard Locrian which sounds too harsh).
Notas: Re#, Fa, Fa#, Sol#, La, Si, Do#
Intervalos: 1P, 2M, 3m, 4P, 5d, 6m, 7m
Grados: 1 2 b3 4 5 b6 b7
Fórmula: W-H-W-H-W-W-W
Número de notas: 7
Afinación: Standard (G-D-A-E)
También conocido como: half-diminished, aeolian b5
Acerca de la Afinación Standard
The mandolin is tuned in fifths — G-D-A-E from low to high — the same intervals as a violin. This tuning gives the mandolin its distinctive bright, penetrating tone that cuts through any ensemble. With only four courses of doubled strings and 20 frets, the mandolin rewards precise melodic playing and rapid tremolo picking.
From Bill Monroe's invention of bluegrass to Chris Thile's genre-defying virtuosity with Punch Brothers, the mandolin has proven itself far beyond its folk roots. Its fifths tuning makes it a natural partner for fiddle players, and its compact fretboard encourages creative chord voicings and rapid scale runs that are impossible on guitar. The mandolin is also central to Italian classical music, Brazilian choro, and Irish traditional music.
Artistas destacados: Bill Monroe, Chris Thile, David Grisman, Sam Bush, Sierra Hull
Ideal para: Bluegrass leads, Celtic melodies, tremolo picking, and any ensemble that needs a bright, cutting melodic voice