Escala de Re# Cromática para Mandolina — Standard
Posiciones para Mandolina en afinación Standard
Re# Cromática en Standard — Notas e Intervalos
La escala Cromática de D# son las doce notas de la música occidental, todas. En Mandolina, las notas son D#, E, F, F#, G, G#, A, A#, B, C, C#, D. Ofrece la máxima densidad posible y se usa para flexibilidad melódica total, transiciones fluidas entre tonalidades y para añadir color intenso a melodías más sencillas. Usada comúnmente en Classical, Jazz, Metal, Experimental. Entre los intérpretes destacados se encuentran Franz Liszt, Charlie Parker, Yngwie Malmsteen. Context-dependent — works as a passing device over any harmony. Not a 'soloing' scale but a coloring tool. Great for chromatic approach notes.
Notas: Re#, Mi, Fa, Fa#, Sol, Sol#, La, La#, Si, Do, Do#, Re
Intervalos: 1P, 2m, 2M, 3m, 3M, 4P, 5d, 5P, 6m, 6M, 7m, 7M
Grados: 1 b2 3 b4 5 6 7 8 b9 10 b11 12
Fórmula: H-H-H-H-H-H-H-H-H-H-H-H
Número de notas: 12
Afinación: Standard (G-D-A-E)
Acerca de la Afinación Standard
The mandolin is tuned in fifths — G-D-A-E from low to high — the same intervals as a violin. This tuning gives the mandolin its distinctive bright, penetrating tone that cuts through any ensemble. With only four courses of doubled strings and 20 frets, the mandolin rewards precise melodic playing and rapid tremolo picking.
From Bill Monroe's invention of bluegrass to Chris Thile's genre-defying virtuosity with Punch Brothers, the mandolin has proven itself far beyond its folk roots. Its fifths tuning makes it a natural partner for fiddle players, and its compact fretboard encourages creative chord voicings and rapid scale runs that are impossible on guitar. The mandolin is also central to Italian classical music, Brazilian choro, and Irish traditional music.
Artistas destacados: Bill Monroe, Chris Thile, David Grisman, Sam Bush, Sierra Hull
Ideal para: Bluegrass leads, Celtic melodies, tremolo picking, and any ensemble that needs a bright, cutting melodic voice