Escala de Do Lidia Dominante para Mandolina — Standard
Posiciones para Mandolina en afinación Standard
Do Lidia Dominante en Standard — Notas e Intervalos
La escala Lidia Dominante de C, también conocida como escala Acústica, suena brillante, peculiar y dominante al mismo tiempo. En Mandolina, las notas son C, D, E, F#, G, A, Bb. Se usa mucho en jazz y música de animación para improvisar sobre acordes dominantes que no resuelven de forma tradicional. Usada comúnmente en Jazz, Fusion, Blues, Film Scores. Entre los intérpretes destacados se encuentran Frank Zappa, Larry Carlton, Pat Metheny. Use over 7#11, 9#11 chords. Ideal for non-resolving dominant chords (the 'Simpsons chord'). Gives a sophisticated twist to blues progressions.
Notas: Do, Re, Mi, Fa#, Sol, La, Sib
Intervalos: 1P, 2M, 3M, 4A, 5P, 6M, 7m
Grados: 1 2 3 #4 5 6 b7
Fórmula: W-W-W-H-W-H-W
Número de notas: 7
Afinación: Standard (G-D-A-E)
También conocido como: lydian b7, overtone
Acerca de la Afinación Standard
The mandolin is tuned in fifths — G-D-A-E from low to high — the same intervals as a violin. This tuning gives the mandolin its distinctive bright, penetrating tone that cuts through any ensemble. With only four courses of doubled strings and 20 frets, the mandolin rewards precise melodic playing and rapid tremolo picking.
From Bill Monroe's invention of bluegrass to Chris Thile's genre-defying virtuosity with Punch Brothers, the mandolin has proven itself far beyond its folk roots. Its fifths tuning makes it a natural partner for fiddle players, and its compact fretboard encourages creative chord voicings and rapid scale runs that are impossible on guitar. The mandolin is also central to Italian classical music, Brazilian choro, and Irish traditional music.
Artistas destacados: Bill Monroe, Chris Thile, David Grisman, Sam Bush, Sierra Hull
Ideal para: Bluegrass leads, Celtic melodies, tremolo picking, and any ensemble that needs a bright, cutting melodic voice