Escala de Si Pentatónica con Tercera Menor para Mandolina — Standard
Posiciones para Mandolina en afinación Standard
Si Pentatónica con Tercera Menor en Standard — Notas e Intervalos
La escala Pentatónica con Tercera Menor de B es una pentatónica de jazz poco común pero muy útil. En Mandolina, las notas son B, C#, D, F#, G#. Funciona bien para navegar progresiones de blues, ofreciendo una forma particular de diferenciar entre los distintos acordes de una progresión con un giro en tonalidad menor. Usada comúnmente en Jazz, Blues, Experimental. Entre los intérpretes destacados se encuentran Joe Henderson, Wayne Shorter. Use over m7, m7b5 chords. Effective for differentiating chords within a blues progression.
Notas: Si, Do#, Re, Fa#, Sol#
Intervalos: 1P, 2M, 3m, 5P, 6M
Grados: 1 2 b3 4 5
Fórmula: W-H-4-W-WH
Número de notas: 5
Afinación: Standard (G-D-A-E)
También conocido como: kumoi
Acerca de la Afinación Standard
The mandolin is tuned in fifths — G-D-A-E from low to high — the same intervals as a violin. This tuning gives the mandolin its distinctive bright, penetrating tone that cuts through any ensemble. With only four courses of doubled strings and 20 frets, the mandolin rewards precise melodic playing and rapid tremolo picking.
From Bill Monroe's invention of bluegrass to Chris Thile's genre-defying virtuosity with Punch Brothers, the mandolin has proven itself far beyond its folk roots. Its fifths tuning makes it a natural partner for fiddle players, and its compact fretboard encourages creative chord voicings and rapid scale runs that are impossible on guitar. The mandolin is also central to Italian classical music, Brazilian choro, and Irish traditional music.
Artistas destacados: Bill Monroe, Chris Thile, David Grisman, Sam Bush, Sierra Hull
Ideal para: Bluegrass leads, Celtic melodies, tremolo picking, and any ensemble that needs a bright, cutting melodic voice