Escala de Si Pentatónica con Sexta Menor para Mandolina — Standard
Posiciones para Mandolina en afinación Standard
Si Pentatónica con Sexta Menor en Standard — Notas e Intervalos
La escala Pentatónica con Sexta Menor de B es una pentatónica sintética que evoca el sonido de la menor melódica. En Mandolina, las notas son B, C#, D#, F#, G. Aporta una textura conmovedora y ligeramente alterada a las melodías mayores — es una favorita de los jazzistas contemporáneos que buscan caminos melódicos frescos. Usada comúnmente en Contemporary Jazz, Fusion, Post-Bop. Entre los intérpretes destacados se encuentran Pat Metheny, Kurt Rosenwinkel. Use over Maj7, mMaj7, and altered dominant chords. A modern jazz tool for fresh melodic paths.
Notas: Si, Do#, Re#, Fa#, Sol
Intervalos: 1P, 2M, 3M, 5P, 6m
Grados: 1 2 3 4 b5
Fórmula: W-W-WH-H-4
Número de notas: 5
Afinación: Standard (G-D-A-E)
Acerca de la Afinación Standard
The mandolin is tuned in fifths — G-D-A-E from low to high — the same intervals as a violin. This tuning gives the mandolin its distinctive bright, penetrating tone that cuts through any ensemble. With only four courses of doubled strings and 20 frets, the mandolin rewards precise melodic playing and rapid tremolo picking.
From Bill Monroe's invention of bluegrass to Chris Thile's genre-defying virtuosity with Punch Brothers, the mandolin has proven itself far beyond its folk roots. Its fifths tuning makes it a natural partner for fiddle players, and its compact fretboard encourages creative chord voicings and rapid scale runs that are impossible on guitar. The mandolin is also central to Italian classical music, Brazilian choro, and Irish traditional music.
Artistas destacados: Bill Monroe, Chris Thile, David Grisman, Sam Bush, Sierra Hull
Ideal para: Bluegrass leads, Celtic melodies, tremolo picking, and any ensemble that needs a bright, cutting melodic voice