Escala de La# Menor con Sexta Disminuida para Mandolina — Standard
Posiciones para Mandolina en afinación Standard
La# Menor con Sexta Disminuida en Standard — Notas e Intervalos
La escala Menor con Sexta Disminuida de A# es una escala jazzística sofisticada popularizada por el método de Barry Harris. En Mandolina, las notas son A#, C, C#, D#, F, F#, G, A. Es el secreto de la conducción de voces profesional en el bebop — permite movimientos suaves y elegantes entre acordes menores y sus tensiones relacionadas. Usada comúnmente en Jazz, Bebop, Swing. Entre los intérpretes destacados se encuentran Barry Harris, Charlie Parker, Bud Powell. Use over m6 chords and their related dim7 chords. The scale alternates between chord tones and diminished passing tones, creating seamless bebop voice leading.
Notas: La#, Do, Do#, Re#, Fa, Fa#, Sol, La
Intervalos: 1P, 2M, 3m, 4P, 5P, 6m, 6M, 7M
Grados: 1 2 b3 4 5 b6 7 8
Fórmula: W-H-W-W-H-H-W-H
Número de notas: 8
Afinación: Standard (G-D-A-E)
Acerca de la Afinación Standard
The mandolin is tuned in fifths — G-D-A-E from low to high — the same intervals as a violin. This tuning gives the mandolin its distinctive bright, penetrating tone that cuts through any ensemble. With only four courses of doubled strings and 20 frets, the mandolin rewards precise melodic playing and rapid tremolo picking.
From Bill Monroe's invention of bluegrass to Chris Thile's genre-defying virtuosity with Punch Brothers, the mandolin has proven itself far beyond its folk roots. Its fifths tuning makes it a natural partner for fiddle players, and its compact fretboard encourages creative chord voicings and rapid scale runs that are impossible on guitar. The mandolin is also central to Italian classical music, Brazilian choro, and Irish traditional music.
Artistas destacados: Bill Monroe, Chris Thile, David Grisman, Sam Bush, Sierra Hull
Ideal para: Bluegrass leads, Celtic melodies, tremolo picking, and any ensemble that needs a bright, cutting melodic voice