Escala de La# Blues Compuesto para Mandolina — Standard
Posiciones para Mandolina en afinación Standard
La# Blues Compuesto en Standard — Notas e Intervalos
La escala Blues Compuesto de A# es una escala completa de jazz de nueve notas que fusiona el blues mayor y menor. En Mandolina, las notas son A#, C, C#, D, D#, E, F, G, G#. Te da libertad melódica absoluta sobre acordes dominantes — combinas alegría y crudeza en cada frase. Perfecta para jams. Usada comúnmente en Jazz, Blues, Fusion, Funk. Entre los intérpretes destacados se encuentran John Scofield, Robben Ford, Larry Carlton. Use over dominant 7th chords in blues and jazz-blues. Contains both major and minor 3rds, allowing fluid switching between bright and dark.
Notas: La#, Do, Do#, Re, Re#, Mi, Fa, Sol, Sol#
Intervalos: 1P, 2M, 3m, 3M, 4P, 5d, 5P, 6M, 7m
Grados: 1 2 b3 4 5 6 7 8 b9
Fórmula: W-H-H-H-H-H-W-H-W
Número de notas: 9
Afinación: Standard (G-D-A-E)
Acerca de la Afinación Standard
The mandolin is tuned in fifths — G-D-A-E from low to high — the same intervals as a violin. This tuning gives the mandolin its distinctive bright, penetrating tone that cuts through any ensemble. With only four courses of doubled strings and 20 frets, the mandolin rewards precise melodic playing and rapid tremolo picking.
From Bill Monroe's invention of bluegrass to Chris Thile's genre-defying virtuosity with Punch Brothers, the mandolin has proven itself far beyond its folk roots. Its fifths tuning makes it a natural partner for fiddle players, and its compact fretboard encourages creative chord voicings and rapid scale runs that are impossible on guitar. The mandolin is also central to Italian classical music, Brazilian choro, and Irish traditional music.
Artistas destacados: Bill Monroe, Chris Thile, David Grisman, Sam Bush, Sierra Hull
Ideal para: Bluegrass leads, Celtic melodies, tremolo picking, and any ensemble that needs a bright, cutting melodic voice