Escala de Re# Blues Compuesto para Guitarra — DADGAD

Posiciones para Guitarra en afinación DADGAD

Re# Blues Compuesto en DADGAD — Notas e Intervalos

La escala Blues Compuesto de D# es una escala completa de jazz de nueve notas que fusiona el blues mayor y menor. En Guitarra, las notas son D#, F, F#, G, G#, A, A#, C, C#. Te da libertad melódica absoluta sobre acordes dominantes — combinas alegría y crudeza en cada frase. Perfecta para jams. Usada comúnmente en Jazz, Blues, Fusion, Funk. Entre los intérpretes destacados se encuentran John Scofield, Robben Ford, Larry Carlton. Use over dominant 7th chords in blues and jazz-blues. Contains both major and minor 3rds, allowing fluid switching between bright and dark.

Notas: Re#, Fa, Fa#, Sol, Sol#, La, La#, Do, Do#

Intervalos: 1P, 2M, 3m, 3M, 4P, 5d, 5P, 6M, 7m

Grados: 1 2 b3 4 5 6 7 8 b9

Fórmula: W-H-H-H-H-H-W-H-W

Número de notas: 9

Afinación: DADGAD (D-A-D-G-A-D)

Acerca de la Afinación DADGAD

DADGAD tuning creates an open Dsus4 chord when strummed open, producing a hauntingly beautiful, droning sound that has become synonymous with Celtic folk music and modern acoustic songwriting. The tuning's natural resonance and overtones make even simple fingerpicking patterns sound rich and complex.

Popularized by Davey Graham in the 1960s and later championed by Pierre Bensusan and Jimmy Page, DADGAD has become one of the most beloved alternate tunings for acoustic guitarists. Its suspended quality — neither clearly major nor minor — creates an ethereal, meditative atmosphere that invites exploration. The tuning excels at creating drone-based arrangements where open strings ring against fretted notes.

CelticFolkAcousticWorld MusicNew AgeAmbient

Artistas destacados: Pierre Bensusan, Jimmy Page, Andy McKee, Davey Graham, Laurence Juber

Ideal para: Celtic folk, acoustic songwriting, drone-based fingerpicking, and meditative compositions

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