Escala de Sol Dórica para Charango — Standard
Posiciones para Charango en afinación Standard
Sol Dórica en Standard — Notas e Intervalos
La escala Dórica de G es el segundo modo de la mayor, y tiene un sonido menor pero con más luz que la menor natural — gracias a esa sexta mayor. En Charango, las notas son G, A, Bb, C, D, E, F. Si te gusta el jazz, el funk o el blues modal, esta es tu escala. La vas a encontrar en temas de Miles Davis, Santana y en cualquier jam de funk. Los acordes diatónicos de G Dórica son Gm7, Am7, BbMaj7, C7, Dm7, Em7b5, FMaj7. Usada comúnmente en Funk, Jazz, Fusion, Neo-Soul, Blues. Entre los intérpretes destacados se encuentran Miles Davis, Herbie Hancock, Carlos Santana, D'Angelo. Use over m7, m9, m11, m13 chords. The go-to scale for any minor chord in funk, jazz, and soul. Works especially well over long minor vamps.
Notas: Sol, La, Sib, Do, Re, Mi, Fa
Intervalos: 1P, 2M, 3m, 4P, 5P, 6M, 7m
Grados: 1 2 b3 4 5 6 b7
Fórmula: W-H-W-W-W-H-W
Número de notas: 7
Afinación: Standard (G-C-E-A-E)
Acordes Diatónicos
Gm7 — Am7 — B♭Maj7 — C7 — Dm7 — Em7♭5 — FMaj7
Acerca de la Afinación Standard
The charango is a small Andean string instrument with five courses of doubled strings, tuned G-C-E-A-E. Its reentrant tuning — with the 4th course (A) lower than the outer courses — combined with its tiny body and nylon strings produces a distinctive bright, shimmering tone that evokes the high-altitude landscapes of the Andes.
Originally crafted from armadillo shells in Bolivia and Peru, the modern charango is the soul of Andean folk music. Its ten strings (five doubled courses) create a natural chorus effect, and the reentrant tuning produces a compact voicing range where strummed chords have an almost harp-like quality. Groups like Los Kjarkas and Inti-Illimani brought the charango to international audiences, while virtuosos like Jaime Torres and Ernesto Cavour pushed its technical boundaries. The charango is essential in huayño, bailecito, and carnavalito rhythms.
Artistas destacados: Los Kjarkas, Jaime Torres, Ernesto Cavour, Inti-Illimani, Gustavo Santaolalla
Ideal para: Andean folk music, South American ensemble playing, and any composition seeking a bright, shimmering Andean texture