Escala de Mi Ichikosucho para Charango — Standard
Posiciones para Charango en afinación Standard
Mi Ichikosucho en Standard — Notas e Intervalos
La escala Ichikosucho de E es una escala antigua de la música de corte japonesa usada en ceremonias de Gagaku. En Charango, las notas son E, F#, G#, A, Bb, B, C#, D#. Tiene una estructura similar al Lidio y evoca una sensación de majestuosidad imperial y tradición histórica. Usada comúnmente en Japanese, Classical, Film Scores. Entre los intérpretes destacados se encuentran Takemitsu, Hosokawa. Use over Maj7#11 in Japanese-influenced compositions. Adds cultural authenticity to Eastern-themed scores.
Notas: Mi, Fa#, Sol#, La, Sib, Si, Do#, Re#
Intervalos: 1P, 2M, 3M, 4P, 5d, 5P, 6M, 7M
Grados: 1 2 3 4 5 6 7 8
Fórmula: W-W-H-H-H-W-W-H
Número de notas: 8
Afinación: Standard (G-C-E-A-E)
Acerca de la Afinación Standard
The charango is a small Andean string instrument with five courses of doubled strings, tuned G-C-E-A-E. Its reentrant tuning — with the 4th course (A) lower than the outer courses — combined with its tiny body and nylon strings produces a distinctive bright, shimmering tone that evokes the high-altitude landscapes of the Andes.
Originally crafted from armadillo shells in Bolivia and Peru, the modern charango is the soul of Andean folk music. Its ten strings (five doubled courses) create a natural chorus effect, and the reentrant tuning produces a compact voicing range where strummed chords have an almost harp-like quality. Groups like Los Kjarkas and Inti-Illimani brought the charango to international audiences, while virtuosos like Jaime Torres and Ernesto Cavour pushed its technical boundaries. The charango is essential in huayño, bailecito, and carnavalito rhythms.
Artistas destacados: Los Kjarkas, Jaime Torres, Ernesto Cavour, Inti-Illimani, Gustavo Santaolalla
Ideal para: Andean folk music, South American ensemble playing, and any composition seeking a bright, shimmering Andean texture