Escala de Do Lidia para Charango — Standard
Posiciones para Charango en afinación Standard
Do Lidia en Standard — Notas e Intervalos
La escala Lidia de C es el cuarto modo de la mayor y probablemente el sonido más brillante que vas a encontrar. En Charango, las notas son C, D, E, F#, G, A, B. Esa cuarta aumentada le da un carácter etéreo y cinematográfico — es la favorita de los compositores de cine para evocar asombro o mundos fantásticos. Fíjate en las bandas sonoras de John Williams. Los acordes diatónicos de C Lidia son CMaj7, D7, Em7, F#m7b5, GMaj7, Am7, Bm7. Usada comúnmente en Film Scores, Progressive Rock, Fusion, Ambient, Dream Pop. Entre los intérpretes destacados se encuentran Joe Satriani, Steve Vai, John Williams, Hans Zimmer. Use over Maj7#11, Maj9 chords. Ideal for non-resolving major passages. Avoid when the music needs to feel grounded or resolved.
Notas: Do, Re, Mi, Fa#, Sol, La, Si
Intervalos: 1P, 2M, 3M, 4A, 5P, 6M, 7M
Grados: 1 2 3 #4 5 6 7
Fórmula: W-W-W-H-W-W-H
Número de notas: 7
Afinación: Standard (G-C-E-A-E)
Acordes Diatónicos
CMaj7 — D7 — Em7 — F♯m7♭5 — GMaj7 — Am7 — Bm7
Acerca de la Afinación Standard
The charango is a small Andean string instrument with five courses of doubled strings, tuned G-C-E-A-E. Its reentrant tuning — with the 4th course (A) lower than the outer courses — combined with its tiny body and nylon strings produces a distinctive bright, shimmering tone that evokes the high-altitude landscapes of the Andes.
Originally crafted from armadillo shells in Bolivia and Peru, the modern charango is the soul of Andean folk music. Its ten strings (five doubled courses) create a natural chorus effect, and the reentrant tuning produces a compact voicing range where strummed chords have an almost harp-like quality. Groups like Los Kjarkas and Inti-Illimani brought the charango to international audiences, while virtuosos like Jaime Torres and Ernesto Cavour pushed its technical boundaries. The charango is essential in huayño, bailecito, and carnavalito rhythms.
Artistas destacados: Los Kjarkas, Jaime Torres, Ernesto Cavour, Inti-Illimani, Gustavo Santaolalla
Ideal para: Andean folk music, South American ensemble playing, and any composition seeking a bright, shimmering Andean texture