Escala de Do# Ultralocria para Cavaquinho — Standard
Posiciones para Cavaquinho en afinación Standard
Do# Ultralocria en Standard — Notas e Intervalos
La escala Ultralocria de C# es extremadamente oscura y condensada — ideal para crear tensión cromática intensa. En Cavaquinho, las notas son C#, D, E, F, G, A, Bb. Se usa en jazz de vanguardia y música ambiental oscura para explorar los límites más disonantes de la tonalidad menor. No es para todos los días, pero tiene su momento. Usada comúnmente en Avant-Garde, Dark Ambient, Experimental Jazz. Entre los intérpretes destacados se encuentran John Zorn, Derek Bailey. Use over dim7 chords in avant-garde contexts. More of a compositional tool than an improvisational one.
Notas: Do#, Re, Mi, Fa, Sol, La, Sib
Intervalos: 1P, 2m, 3m, 4d, 5d, 6m, 7d
Grados: 1 b2 b3 4 5 b6 7
Fórmula: H-W-H-W-W-H-WH
Número de notas: 7
Afinación: Standard (D-G-B-D)
También conocido como: superlocrian bb7, superlocrian diminished
Acerca de la Afinación Standard
The cavaquinho is a small four-string Brazilian instrument tuned D-G-B-D, producing a bright, punchy tone that drives the rhythm in samba, choro, and pagode. Its steel strings and small body create a percussive attack that cuts through percussion-heavy ensembles, making it the rhythmic backbone of Brazilian popular music.
The cavaquinho (also spelled cavaco) is to Brazilian music what the guitar is to rock — absolutely essential. In samba, the cavaquinho player provides the rhythmic centro (center) that holds the bateria (percussion section) together. In choro, it takes on a more melodic role, weaving intricate lines between the bandolim and guitar. Waldir Azevedo's 'Brasileirinho' is perhaps the most famous cavaquinho piece, showcasing the instrument's virtuosic potential. The cavaquinho is also the ancestor of the Hawaiian ukulele, brought to the islands by Portuguese immigrants.
Artistas destacados: Waldir Azevedo, Paulinho da Viola, Beth Carvalho, Nelson Cavaquinho, Luciana Rabello
Ideal para: Samba rhythm, choro melody and accompaniment, pagode, and Brazilian ensemble playing