Escala de Si Doble Armónica Mayor para Cavaquinho — Standard
Posiciones para Cavaquinho en afinación Standard
Si Doble Armónica Mayor en Standard — Notas e Intervalos
La escala Doble Armónica Mayor de B, también conocida como escala Bizantina, tiene siete notas con tensión exótica extrema — dos segundas aumentadas. En Cavaquinho, las notas son B, C, D#, E, F#, G, A#. Se ha usado para crear temas icónicos de surf rock y melodías de Oriente Medio. Muy reconocible desde la primera nota. Usada comúnmente en Middle Eastern, Surf Rock, Metal, Film Scores. Entre los intérpretes destacados se encuentran Dick Dale, Rainbow, Marty Friedman. Use over major chords in Middle Eastern and surf rock contexts. The b2 and b6 add exotic color to an otherwise major framework.
Notas: Si, Do, Re#, Mi, Fa#, Sol, La#
Intervalos: 1P, 2m, 3M, 4P, 5P, 6m, 7M
Grados: 1 b2 3 4 5 b6 7
Fórmula: H-WH-H-W-H-WH-H
Número de notas: 7
Afinación: Standard (D-G-B-D)
También conocido como: gypsy
Acerca de la Afinación Standard
The cavaquinho is a small four-string Brazilian instrument tuned D-G-B-D, producing a bright, punchy tone that drives the rhythm in samba, choro, and pagode. Its steel strings and small body create a percussive attack that cuts through percussion-heavy ensembles, making it the rhythmic backbone of Brazilian popular music.
The cavaquinho (also spelled cavaco) is to Brazilian music what the guitar is to rock — absolutely essential. In samba, the cavaquinho player provides the rhythmic centro (center) that holds the bateria (percussion section) together. In choro, it takes on a more melodic role, weaving intricate lines between the bandolim and guitar. Waldir Azevedo's 'Brasileirinho' is perhaps the most famous cavaquinho piece, showcasing the instrument's virtuosic potential. The cavaquinho is also the ancestor of the Hawaiian ukulele, brought to the islands by Portuguese immigrants.
Artistas destacados: Waldir Azevedo, Paulinho da Viola, Beth Carvalho, Nelson Cavaquinho, Luciana Rabello
Ideal para: Samba rhythm, choro melody and accompaniment, pagode, and Brazilian ensemble playing