Do Re MiC D E

Gambler, The

Kenny Rogers (Don Schlitz)4/4country♩= 176
G♯/C
G♯/C
G♯/E♭
D♯/G
D♯/G
D♯/F
G♯/C
G♯/C
G♯/E♭
%
G♯/C
%
%
%
%
G♯/E♭
G♯/E♭
%
%
G♯/C
%
%
%
F♯m/A
%
%
%
F♯m/A

Chord Diagrams — Gambler, The in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
G♯/C
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
G♯/E♭
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
D♯/G
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
D♯/F
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
Fm/A♭
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
F♯m/A
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342

Explore More

Gambler, The in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to D# (descending perfect fourth), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to F (descending minor third), F to E (descending half step), E to A (ascending perfect fourth), A to B (ascending whole step), B to F# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to D# by minor third.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

country4/4 · 134 bars · Form: ABCBC

Chords: D♯, G♯/C, G♯/E♭, D♯/G, D♯/F, A♯, G♯, Fm/A♭, E, A, B, F♯m/A.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#