E Minor 6/9 Guitar Chord — Baritone

Guitar chord voicings in Baritone tuning (B-E-A-D-F#-B)

E Minor 6/9 Voicings in Baritone

2frBEADF#B231
2frBEADF#B1112
7frBEADF#B111123
7frBEADF#B111234
12frBEADF#B1124x3
14frBEADF#B1123x4

E Minor 6/9 filtered by fret:

Move the sliders to select the first and last frets to display
2frBEADF#B231
2frBEADF#B1112
7frBEADF#B111123
7frBEADF#B111234
12frBEADF#B1124x3

E Minor 6/9 in Baritone Tuning — Guide

The E Minor 6/9 chord is made up of the following notes: E, G, B, C#, F#.

Intervals: 1P, 3m, 5P, 6M, 9M.

The E Minor 6/9 chord in Baritone tuning (B-E-A-D-F#-B) requires different fingerings than standard tuning.

The E minor six-nine chord combines a minor triad with both the sixth and ninth — E, G, B, C#, F#, intervals 1P, 3m, 5P, 6M, 9M. This creates a complex, bittersweet voicing that is both dark and colorful. Minor six-nine chords are found in jazz ballads, Brazilian music, and sophisticated pop arrangements where nuance and harmonic richness matter.

How to Play E Minor 6/9

On guitar, E m6/9 typically requires a barre or partial barre voicing. Experiment with different positions to find the voicing that best suits your playing context — higher positions sound brighter and tighter, while lower positions offer more bass and resonance. CAGED system shapes help navigate these options efficiently.

E Minor 6/9 in Progressions

E m6/9 appears in various harmonic contexts depending on the key. Analyze the surrounding chords to determine its function — it may serve as a primary chord, a substitution, or a chromatic color chord that enriches the harmonic palette of a progression.

Common Substitutions

Em6, Em9, or Gmaj9 provide related colors in the minor-key palette.

Difficulty: On guitar, this chord is intermediate — a barre or partial barre is likely needed, but the shape is manageable with practice.

Explore E Minor 6/9 Further