E Major 6th Guitar Chord — Baritone

Guitar chord voicings in Baritone tuning (B-E-A-D-F#-B)

E Major 6th Voicings in Baritone

2frBEADF#B112
2frBEADF#B1234
7frBEADF#B111234
7frBEADF#B11123x
9frBEADF#B111132
9frBEADF#B111432

E Major 6th filtered by fret:

Move the sliders to select the first and last frets to display
2frBEADF#B112
2frBEADF#B1234
7frBEADF#B111234
7frBEADF#B11123x
9frBEADF#B111132
9frBEADF#B111432

E Major 6th in Baritone Tuning — Guide

The E Major 6th chord is made up of the following notes: E, G#, B, C#.

Intervals: 1P, 3M, 5P, 6M.

The E Major 6th chord in Baritone tuning (B-E-A-D-F#-B) requires different fingerings than standard tuning.

The E major sixth functions identically to a standard sixth chord, with a major triad plus the sixth — E, G#, B, C#, intervals 1P, 3M, 5P, 6M. It offers that classic warmth associated with early jazz and country western ballads. The sixth adds just enough color to lift the chord beyond a plain major triad while maintaining a feeling of happy resolution.

How to Play E Major 6th

On guitar, E maj6 typically requires a barre or partial barre voicing. Experiment with different positions to find the voicing that best suits your playing context — higher positions sound brighter and tighter, while lower positions offer more bass and resonance. CAGED system shapes help navigate these options efficiently.

E Major 6th in Progressions

E maj6 appears in various harmonic contexts depending on the key. Analyze the surrounding chords to determine its function — it may serve as a primary chord, a substitution, or a chromatic color chord that enriches the harmonic palette of a progression.

Common Substitutions

E6, Emaj7, or C#m7 are interchangeable in many harmonic contexts.

Difficulty: On guitar, this chord is intermediate — a barre or partial barre is likely needed, but the shape is manageable with practice.

Explore E Major 6th Further