A# 6th Guitar Chord — Baritone

Guitar chord voicings in Baritone tuning (B-E-A-D-F#-B)

A# 6th Voicings in Baritone

BEADF#B3412x
3frBEADF#B111342
8frBEADF#B111234
8frBEADF#B111423
10frBEADF#B11234x
10frBEADF#B1124x3

A# 6th filtered by fret:

Move the sliders to select the first and last frets to display
BEADF#B3412x
3frBEADF#B111342
8frBEADF#B111234
8frBEADF#B111423
10frBEADF#B11234x
10frBEADF#B1124x3

A# 6th in Baritone Tuning — Guide

The A# 6th chord is made up of the following notes: A#, C##, E#, F##.

Intervals: 1P, 3M, 5P, 6M.

The A# 6th chord in Baritone tuning (B-E-A-D-F#-B) requires different fingerings than standard tuning.

The A# sixth chord adds a major sixth to a major triad, producing A#, C##, E#, F## with intervals 1P, 3M, 5P, 6M. This extra note gives the chord a warm, vintage sweetness that was a signature of early jazz, swing, and Hawaiian music. Unlike seventh chords, sixths feel resolved and cheerful, making them perfect for endings, vamps, and anywhere a classic, golden-age aesthetic is desired.

How to Play A# 6th

On guitar, A# 6 typically requires a barre or partial barre voicing. Experiment with different positions to find the voicing that best suits your playing context — higher positions sound brighter and tighter, while lower positions offer more bass and resonance. CAGED system shapes help navigate these options efficiently.

A# 6th in Progressions

A# sixth often substitutes for A# major or A# major seventh as a tonic chord, especially in jazz standards and swing. It provides a resolved but colorful ending and works well in turnarounds and vamp sections.

Common Substitutions

A#maj7, Gm7, or A#6/9 substitute naturally, as the sixth and minor seventh inversions are closely related.

Difficulty: On guitar, this chord typically requires a barre — intermediate difficulty, but essential for playing in sharp keys.

Explore A# 6th Further