A Major 6th Guitar Chord — Baritone
Guitar chord voicings in Baritone tuning (B-E-A-D-F#-B)
A Major 6th Voicings in Baritone
A Major 6th filtered by fret:
A Major 6th in Baritone Tuning — Guide
The A Major 6th chord is made up of the following notes: A, C#, E, F#.
Intervals: 1P, 3M, 5P, 6M.
The A Major 6th chord in Baritone tuning (B-E-A-D-F#-B) requires different fingerings than standard tuning.
The A major sixth functions identically to a standard sixth chord, with a major triad plus the sixth — A, C#, E, F#, intervals 1P, 3M, 5P, 6M. It offers that classic warmth associated with early jazz and country western ballads. The sixth adds just enough color to lift the chord beyond a plain major triad while maintaining a feeling of happy resolution.
How to Play A Major 6th
On guitar, A maj6 typically requires a barre or partial barre voicing. Experiment with different positions to find the voicing that best suits your playing context — higher positions sound brighter and tighter, while lower positions offer more bass and resonance. CAGED system shapes help navigate these options efficiently.
A Major 6th in Progressions
A maj6 appears in various harmonic contexts depending on the key. Analyze the surrounding chords to determine its function — it may serve as a primary chord, a substitution, or a chromatic color chord that enriches the harmonic palette of a progression.
Common Substitutions
A6, Amaj7, or F#m7 are interchangeable in many harmonic contexts.
Difficulty: On guitar, this chord is intermediate — a barre or partial barre is likely needed, but the shape is manageable with practice.