Re Rumbas

iv – III – II – I progression in Re minor

Do Re MiC D E
Harmony
OriginalPass Chords
ivSolm
IIIFa
IIMi♭
IRe

Triad Diagrams — Re Rumbas (Guitar)

Display
FingerNoteDegree

Re Rumbasiv – III – II – I

Energetic, Latin-influenced flamenco style. Binary 4/4 rhythm with 8-beat cycles like Tangos. Often the most accessible entry point to flamenco guitar. In A Phrygian: Dm-C-Bb-A. Made world-famous by Paco de Lucia's 'Entre dos aguas'.

Playing in Re minor

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to F (descending whole step), F to Eb (descending whole step), Eb to D (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to G by perfect fourth.

Capo Transposition

To play in D using familiar open chords: capo 2 with open C shapes; capo 5 with open A shapes; capo 7 with open G shapes. Choose the capo position that gives you the voicings you prefer — lower capo positions produce a fuller sound, while higher positions create a brighter, mandolin-like timbre.

Scales for Soloing

D minor pentatonic is your safest starting point because all five notes are chord tones or stable tensions within the natural minor harmony. When a dominant seventh chord appears, switch briefly to D Dorian or harmonic minor to capture the raised 6th or 7th that the chord implies.

Strumming Pattern

Use D-DU-UDU at 100-120 BPM for a standard pop strum. Accent beats 2 and 4 for a backbeat feel. Vary dynamics between verse (lighter) and chorus (stronger) to build energy.

FlamencoEnergy & Groove4/4 · 2 bars

Chords (triads): Solm, Fa, Mi♭, Re.

Chords (7th): Solm7, Fa7, Mi♭7, Re7.

Famous songs using this progression

  • Entre dos aguas – Paco de Lucia
  • Bamboleo – Gipsy Kings
  • Rumba Improvisada – Paco de Lucia