Do Re MiC D E

Zum-Zum

Lobo Edu4/4bossa-nova
Am69
Bm11
Am69
Bm11
Am69
Bm11
Am69
Bm11
%
G7sus4
G7♭9♯11
Cmaj9
Bm11
E7♭13
%
G7sus4
G7♭9♯11
Cmaj9
Bm11
E7♭13
Am69
Bm11
Am69
Bm11
%
G7sus4
G7♭9♯11
Cmaj9
%
Bm11
E7♭13
Dm7/C
E/G♯
%
A/G
A/G
D/F♯
Dm/F
E/G♯
%
A/G
%
D/F♯
Dm/F
Am69
Bm11
Am69
Bm11

Chord Diagrams — Zum-Zum in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Am9
5frEADGBE111134
EADGBEx2413
8frEADGBE132
10frEADGBEx21344
Am69
5frEADGBE112234
4frEADGBEx24
7frEADGBE11123
10frEADGBEx31244
Bm11
5frEADGBE111342
EADGBEx123
7frEADGBE111114
9frEADGBE1122xx
E7♭9
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx
G7sus4
8frEADGBE11x234
EADGBE1123
3frEADGBE111134
10frEADGBE111134
G7♭9♯11
G - B - D - F - A♭ - C♯
Cmaj9
8frEADGBE11x234
EADGBEx3
EADGBE22143x
5frEADGBE11113
F♯7♯11
8frEADGBE11x234
EADGBE111234
4frEADGBExx1234
9frEADGBE111x23
E7♭13
9frEADGBE111xx2
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
A♯dim7
8frEADGBExx1324
EADGBEx123
EADGBExx1324
6frEADGBE111234
A7
7frEADGBEx1324
EADGBEx23
EADGBE111x2
5frEADGBE111132
Dm7
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
Dm7/C
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
E7
7frEADGBE111134
EADGBE21
5frEADGBEx3241x
9frEADGBE111xx2
Am7
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113
Am6
7frEADGBE111x32
EADGBEx2314
4frEADGBE2x1334
5frEADGBE111234
E/G♯
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
A/G
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
D/F♯
10frEADGBE111342
EADGBExx132
2frEADGBE111432
5frEADGBE111234
Dm/F
10frEADGBE111134
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x

Explore More

Zum-Zum in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A (ascending unison), A to B (ascending whole step), B to E (ascending perfect fourth), E to G (ascending minor third), G to G (ascending unison), G to C (ascending perfect fourth), C to F# (ascending tritone), F# to E (descending whole step), E to A# (ascending tritone), A# to A (descending half step), A to D (ascending perfect fourth), D to D (ascending unison), D to B (descending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 76 bars · Form: ABAC

Chords: Am9, Am69, Bm11, E7♭9, G7sus4, G7♭9♯11, Cmaj9, F♯7♯11, E7♭13, A♯dim7, A7, Dm7, Dm7/C, Bm7, E7, Am7, Am6, E/G♯, A/G, D/F♯, Dm/F.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A