Velas (Velas Içadas)

Velas (Velas Içadas) in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to F# (ascending whole step), F# to G# (ascending whole step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to A (descending whole step), A to E (descending perfect fourth), E to C# (descending minor third), C# to B (descending whole step), B to G (descending major third), G to E (descending minor third), E to E (ascending unison), E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to F# (descending half step), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G (descending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to F (ascending unison), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to B (descending major third), B to B (ascending unison), B to D (ascending minor third), D to D (ascending unison), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to A by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.