Do Re MiC D E

Toda Menina Baiana

Gil Gilberto4/4samba
C/D
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D♯/D
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A♯7sus4
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A♯7sus4
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A♯7sus4
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%
D♯/D
%
%
%
A♯7sus4
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A♯7sus4
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A♯7sus4
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D♯/D
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Chord Diagrams — Toda Menina Baiana in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
A♯6
5frEADGBE2134
EADGBE3333x1
6frEADGBE113x24
10frEADGBEx4231x
C/D
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
D♯/D
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
A♯7sus4
6frEADGBE111134
EADGBE111x34
EADGBE1122xx
8frEADGBExx1324

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Toda Menina Baiana in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D to C (descending whole step), C to A# (descending whole step), A# to C (ascending whole step), C to D# (ascending minor third), D# to A# (descending perfect fourth). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to D by major third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 79 bars · Form: ABCD

Chords: Dm7, Cm7, A♯6, C/D, D♯/D, A♯7sus4.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#