Do Re MiC D E

Tema Jazz

Jobim Antonio-Carlos4/4samba

Chord Diagrams — Tema Jazz in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cm
5frEADGBE1142xx
EADGBEx3214
3frEADGBE111342
8frEADGBE111134
CmMaj7
3frEADGBE111423
EADGBEx31x
8frEADGBE111132
10frEADGBExx1342
Cm7
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
Cm6
3frEADGBEx13x24
EADGBE11x324
7frEADGBE2x1334
8frEADGBE111234
Cm♭6
Cm7♭5
4frEADGBE11xx24
EADGBEx1324x
8frEADGBE111234
10frEADGBE333xx1
Fm7/D
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
D7♭13
3frEADGBEx3241x
EADGBExx213
5frEADGBE111134
10frEADGBE111132
Gm
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
GmMaj7
3frEADGBE111132
EADGBE3142
5frEADGBE11x342
10frEADGBE11x423
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
Gm6
EADGBE2x1344
3frEADGBE111234
5frEADGBE111x32
8frEADGBE11x324
Gm♭6
Gm7♭5
EADGBE2x341x
EADGBE3xx421
5frEADGBE222xx1
10frEADGBEx1324x
Cm7/A
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
Fm
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
FmMaj7
EADGBE111132
3frEADGBExx1342
8frEADGBE111423
12frEADGBExx4231
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
Fm6
EADGBE1x234
3frEADGBE11xx32
6frEADGBE11x324
9frEADGBExx2314
Fm♭6
Fm7♭5
EADGBE1x23x
EADGBE222xx1
8frEADGBEx1324x
11frEADGBE2134x
G13♭9
EADGBE321
3frEADGBE11x234
3frEADGBE111324
9frEADGBEx21334
C♯m6
EADGBE11x324
5frEADGBExx2314
8frEADGBE2x134x
9frEADGBE111234
Bmaj7♯5
2frEADGBEx1423x
EADGBEx2134
6frEADGBE2133x
11frEADGBE111432
A♯m6
3frEADGBEx2314x
EADGBEx13x24
5frEADGBE2x1334
6frEADGBE111234
A7♯11
4frEADGBE111234
EADGBEx13
7frEADGBExx1234
11frEADGBE11x234
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
G♯7/A♭
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
Fm7/F
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Dm7♭5
3frEADGBE11x342
EADGBE111xx
5frEADGBEx1324x
8frEADGBEx1432
C♯7♯11
4frEADGBE111x23
EADGBEx213
8frEADGBE111234
9frEADGBE111123
C7sus4
3frEADGBE111134
EADGBE11x234
5frEADGBE11xx23
8frEADGBE111134
F9
EADGBExx2143
EADGBE111324
7frEADGBE221334
10frEADGBE1111x2
C9
EADGBE221334
7frEADGBE112344
7frEADGBE131214
9frEADGBExx2143
C♯9
EADGBE221334
8frEADGBE3142xx
9frEADGBE111324
10frEADGBExx2143
G♯9
EADGBE11234x
4frEADGBE111324
5frEADGBExx2143
10frEADGBE221334

Explore More

Tema Jazz in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to C (ascending unison), C to C (ascending unison), C to C (ascending unison), C to C (ascending unison), C to C (ascending unison), C to F (ascending perfect fourth), F to D (descending minor third), D to G (ascending perfect fourth), G to G (ascending unison), G to G (ascending unison), G to G (ascending unison), G to G (ascending unison), G to G (ascending unison), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to F (ascending unison), F to F (ascending unison), F to F (ascending unison), F to F (ascending unison), F to G (ascending whole step), G to C# (ascending tritone), C# to B (descending whole step), B to A# (descending half step), A# to A (descending half step), A to G# (descending half step), G# to G# (ascending unison), G# to F (descending minor third), F to D (descending minor third), D to C# (descending half step), C# to C (descending half step), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to C# (ascending half step), C# to G# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to C by major third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 94 bars · Form: ABCC

Chords: Cm, CmMaj7, Cm7, Cm6, Cm♭6, Cm7♭5, Fm7/D, D7♭13, Gm, GmMaj7, Gm7, Gm6, Gm♭6, Gm7♭5, Cm7/A, Fm, FmMaj7, Fm7, Fm6, Fm♭6, Fm7♭5, G13♭9, C♯m6, Bmaj7♯5, A♯m6, A7♯11, G♯7, G♯7/A♭, Fm7/F, Dm7♭5, C♯7♯11, C7sus4, F9, C9, C♯9, G♯9.

Scales for Improvisation C bebop minor, C bebop.

Diatonic chords: See all chords in the key of C