Do Re MiC D E

So Tinha De Ser Com Voçe

Antonio-Carlos Jobim - Aloysio de Oliveira4/4bossa-nova

Chord Diagrams — So Tinha De Ser Com Voçe in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
D♯7♯9
5frEADGBEx2134x
EADGBExx234
8frEADGBE111x23
10frEADGBE2134xx
A7♯11
4frEADGBE111234
EADGBEx13
7frEADGBExx1234
11frEADGBE11x234
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
Dm7♭5
5frEADGBEx1324x
EADGBE111xx
3frEADGBE11x342
8frEADGBEx1432
C♯m6
5frEADGBExx2314
EADGBE11x324
8frEADGBE2x134x
9frEADGBE111234
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
F7♭9
7frEADGBE11x234
EADGBE111423
EADGBE11xx23
11frEADGBE3241xx
A♯7
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
A♯7♭13
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
D♯7♯5
6frEADGBE11x432
EADGBExx1423
9frEADGBE3241
11frEADGBE1x234x
C7♯9
8frEADGBE111324
EADGBEx2134x
3frEADGBE11x32
9frEADGBExx2134
D♯7♭9
9frEADGBE3241xx
EADGBExx24
5frEADGBE11x234
6frEADGBE11x34
C♯7
9frEADGBE111132
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
F♯7
9frEADGBE111134
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
B7
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
E7
7frEADGBE111134
EADGBE21
5frEADGBEx3241x
9frEADGBE111xx2
A♯7♯5
6frEADGBE1x234x
EADGBE11x432
8frEADGBExx1423
12frEADGBEx213x4
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
Emaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Dm7
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113

Explore More

So Tinha De Ser Com Voçe in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to D# (descending perfect fourth), D# to A (ascending tritone), A to D# (ascending tritone), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to C# (descending half step), C# to C (descending half step), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to A (ascending tritone), A to D# (ascending tritone), D# to C (descending minor third), C to D# (ascending minor third), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A# (ascending tritone), A# to G# (descending whole step), G# to G# (ascending unison), G# to C (ascending major third), C to E (ascending major third), E to A# (ascending tritone), A# to D (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to G# by tritone.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 76 bars · Form: ABC

Chords: G♯maj7, D♯7♯9, A7♯11, D♯m7, G♯7, Dm7♭5, C♯m6, C7, F7♭9, A♯7, A♯7♭13, D♯7, Amaj7, D♯7♯5, C7♯9, D♯7♭9, C♯7, F♯7, B7, E7, A♯7♯5, G♯m7, G♯7sus4, Cm7, Emaj7, A♯m7, Dm7.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#