Do Re MiC D E

Sem Fantasia

Buarque Chico4/4bossa-nova

Chord Diagrams — Sem Fantasia in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
E7♭13
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
Bm7♭5
6frEADGBE2x341x
EADGBEx1324x
7frEADGBE111234
9frEADGBE222xx1
Em7♭5
7frEADGBEx1324x
EADGBE33312
8frEADGBE11xx24
11frEADGBE2x341x
A7♭9
6frEADGBE11xx23
EADGBE11x23
5frEADGBE111423
11frEADGBE11x234
Dm9
5frEADGBEx1423
EADGBE132
3frEADGBEx21344
10frEADGBE111134
C6/D
3frEADGBE3333x1
EADGBEx4231
7frEADGBE2x143x
8frEADGBE11x324
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
Fmaj7
EADGBExx321
EADGBE111423
3frEADGBE11x333
8frEADGBE111324
F/B♭
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
Dm69
2frEADGBEx421
3frEADGBEx3124
6frEADGBEx2314
10frEADGBEx22134
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
D♯dim7
EADGBExx1324
5frEADGBE11x234
7frEADGBExx1324
10frEADGBE112x3x
Am/B
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
Am7/B
EADGBEx21
EADGBEx2314
5frEADGBE111113
7frEADGBE11x423
B7
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
7frEADGBE111132
E/A
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234

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Sem Fantasia in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to C (descending whole step), C to C (ascending unison), C to F (ascending perfect fourth), F to F (ascending unison), F to D (descending minor third), D to D (ascending unison), D to D# (ascending half step), D# to A (ascending tritone), A to A (ascending unison), A to B (ascending whole step), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 84 bars · Form: ABC

Chords: Am7, E7♭13, Bm7♭5, Em7♭5, A7♭9, Dm9, C6/D, C7♭9, Fmaj7, F/B♭, Dm69, Dm7, D♯dim7, Am/B, Am7/B, B7, E/A.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A