Do Re MiC D E

Se Todos Fossem Iguais A Você

Jobim Antonio-Carlos4/4bossa-nova

Chord Diagrams — Se Todos Fossem Iguais A Você in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E9
6frEADGBE221334
EADGBE213
EADGBE113x42
9frEADGBE11112
F♯/E
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
E9♯5
6frEADGBEx21334
EADGBE3142
4frEADGBE11234
9frEADGBE11123
Amaj13
6frEADGBE11x34
EADGBEx2134
4frEADGBE111123
9frEADGBE11x423
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
G♯7♯5
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
D9
4frEADGBE221334
7frEADGBEx1234
9frEADGBE11234x
10frEADGBE111324
Gmaj9
3frEADGBExx2314
EADGBE21
EADGBE111243
9frEADGBEx2143x
G♯m7♭5
EADGBE2x341x
EADGBExx13
6frEADGBE222xx1
11frEADGBEx1324x
C♯7♭9
EADGBE11x234
4frEADGBEx1234
7frEADGBE3241x
9frEADGBExx1324
F♯maj7
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
9frEADGBE111324
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
Amaj7
EADGBEx213
EADGBE111x4
5frEADGBE111423
7frEADGBE333x1
Em7
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
A9
EADGBE11x32
2frEADGBE431
5frEADGBE111324
11frEADGBEx21333
Dmaj7
2frEADGBE111x43
EADGBE111xx
5frEADGBE111324
7frEADGBE111xx4
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx24
8frEADGBE2x341x
11frEADGBE222xx1
F♯7♭13
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
Am6
5frEADGBE111234
EADGBEx2314
4frEADGBE2x1334
7frEADGBE111x32
Em9
5frEADGBEx21344
EADGBE24
EADGBE1243
10frEADGBE11324
E7♭9
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx
A7
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
Dm6
5frEADGBEx13x24
EADGBExx21
3frEADGBE11x324
9frEADGBE2x1333
A/C♯
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
Cm6
3frEADGBEx13x24
EADGBE11x324
7frEADGBE2x1334
8frEADGBE111234
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132

Explore More

Se Todos Fossem Iguais A Você in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to F# (ascending whole step), F# to E (descending whole step), E to A (ascending perfect fourth), A to G# (descending half step), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to A (ascending minor third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to E (descending whole step), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to A (descending major third), A to E (descending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to C (ascending minor third), C to B (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 48 bars · Form: ABC

Chords: E9, F♯/E, E9♯5, Amaj13, G♯13, G♯7♯5, C♯7, F♯m7, Am7, D9, Gmaj9, G♯m7♭5, C♯7♭9, F♯maj7, Bm7, E7, Amaj7, Em7, A9, Dmaj7, C♯m7♭5, F♯7♭13, E13, D♯m7♭5, G♯7, C♯m7, Am6, Em9, E7♭9, A7, Dm6, A/C♯, Cm6, B7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A