Do Re MiC D E

Quem Te Viu, Quem Te Vê

Buarque Chico4/4samba
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%
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Am/B
B7/A♯
Em7/A
A7/G♯
D7/G
G69
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%
%
B7♭13
%
E69
%
B7sus4
%
G♯7♭9/G
B7/A♯
E7/A
%
A/G♯
D♯m11
F♯m/G♯
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Chord Diagrams — Quem Te Viu, Quem Te Vê in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em9
5frEADGBEx21344
EADGBE24
EADGBE1243
10frEADGBE11324
Am/B
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
B7/A♯
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
Em7/A
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
A7/G♯
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
D7/G
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
G69
EADGBE111234
EADGBE1
4frEADGBEx22134
9frEADGBE11x234
C♯dim7
EADGBExx1324
3frEADGBE11x234
8frEADGBE112x3x
11frEADGBExx1324
Cdim7
EADGBE11x234
EADGBExx1324
7frEADGBE112x3x
10frEADGBE11xx34
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
A♯dim7
EADGBExx1324
EADGBEx123
6frEADGBE111234
8frEADGBExx1324
B7♭13
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
E69
EADGBE22134
6frEADGBE11x234
9frEADGBE11111x
11frEADGBE11134
B7sus4
EADGBEx123
2frEADGBE111134
4frEADGBE1122xx
7frEADGBE111134
G♯7♭9/G
EADGBE111x2
4frEADGBE11xx23
5frEADGBE11xx23
10frEADGBE11x234
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
A
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
E7/A
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
A/G♯
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
D♯m11
EADGBE11xx34
4frEADGBE11x234
9frEADGBE111342
11frEADGBE111114
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
F♯m/G♯
EADGBE111134
4frEADGBE11x342
5frEADGBExx3241
9frEADGBE111342

Explore More

Quem Te Viu, Quem Te Vê in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to A (ascending perfect fourth), A to B (ascending whole step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to C# (ascending tritone), C# to C (descending half step), C to B (descending half step), B to A# (descending half step), A# to B (ascending half step), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to G# (descending minor third), G# to B (ascending minor third), B to A (descending whole step), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to C# (descending whole step), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 40 bars · Form: AB

Chords: Em9, Am/B, B7/A♯, Em7/A, A7/G♯, D7/G, D7, G69, C♯dim7, Cdim7, B7, A♯dim7, B7♭13, E69, B7sus4, G♯7♭9/G, Bm7, A, E7/A, A/G♯, D♯m11, C♯7, F♯m/G♯.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E