Do Re MiC D E

Passarim

Jobim Antonio-Carlos4/4bossa-nova

Chord Diagrams — Passarim in D (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A7sus4
5frEADGBE111134
EADGBEx23
7frEADGBEx1324
10frEADGBE11x234
D7sus4
5frEADGBE111134
EADGBExx214
3frEADGBEx2341x
10frEADGBE111134
DmMaj7
5frEADGBE111423
EADGBExx231
2frEADGBE11x42
10frEADGBE111132
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
A♯maj7
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
Em7♭5
EADGBE33312
7frEADGBEx1324x
8frEADGBE11xx24
11frEADGBE2x341x
A7♭9
EADGBE11x23
5frEADGBE111423
6frEADGBE11xx23
11frEADGBE11x234
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
G7
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
Cm7
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
F13
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134
A13♭9
EADGBEx123
3frEADGBE4231
5frEADGBE111324
11frEADGBE44x213
Bm7/A
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
E13
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134
Amaj9
EADGBE11x34
4frEADGBE11243
5frEADGBEx2314
11frEADGBE22143x
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
Amaj7♯5
EADGBE11x32
EADGBE11x23
5frEADGBEx2341
9frEADGBE432
Fmaj
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
Dm
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
B/D
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
A♯/D
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
A
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
E7♭13
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
Amaj7
EADGBEx213
EADGBE111x4
5frEADGBE111423
7frEADGBE333x1
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
Gmaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
C13
2frEADGBE44x213
3frEADGBE111134
6frEADGBE222341
8frEADGBE111324
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
B13
4frEADGBE111432
EADGBE44x213
EADGBE111134
7frEADGBE111234
Emaj9
EADGBE111234
EADGBE3124
6frEADGBEx2143x
9frEADGBE11xx34
Emaj7
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
G♯7
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342

Explore More

Passarim in D

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to D (ascending perfect fourth), D to D (ascending unison), D to D (ascending unison), D to C# (descending half step), C# to C (descending half step), C to B (descending half step), B to A# (descending half step), A# to E (ascending tritone), E to A (ascending perfect fourth), A to G (descending whole step), G to G (ascending unison), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A (ascending major third), A to B (ascending whole step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to B (ascending whole step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to F (descending major third), F to D (descending minor third), D to A (descending perfect fourth), A to B (ascending whole step), B to A# (descending half step), A# to A (descending half step), A to B (ascending whole step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F# (ascending half step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to E (ascending unison), E to F# (ascending whole step), F# to G# (ascending whole step), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to A by major third.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 58 bars · Form: ABC

Chords: A7sus4, D7sus4, DmMaj7, Dm7, C♯7, Cmaj7, B7, A♯maj7, Em7♭5, A7♭9, Gm7, G7, Cm7, F13, A13♭9, Bm7/A, E13, Amaj9, Bm7, E7, Amaj7♯5, Fmaj, Dm, Am7, B/D, A♯/D, A, Bm7♭5, E7♭13, Amaj7, D7, Gmaj7, C13, Fmaj7, F♯m7, B13, Emaj9, Emaj7, Em7, F♯7, G♯7, C♯.

Scales for Improvisation D bebop minor, D bebop.

Diatonic chords: See all chords in the key of D