Do Re MiC D E

Lua Soberana

Lins Ivan4/4afoxe
G/D
G♯/D
F/D
G7/D
G/D
A♯/D
F/D
G7/D
G/D
G♯/D
F/D
G7/D
G/D
A♯/D
F/D
G7/D
G/D
G♯/D
F/D
G7/D
G/D
A♯/D
F/D
G7/D
G/D
G♯/D
F/D
G7/D
G/D
A♯/D
F/D
G7/D
G/D
G♯/D
F/D
G7/D
G/D
A♯/D
F/D
G7/D
G/D
G♯/D
F/D
G7/D
G/D
A♯/D
F/D
G7/D
Eadd9/A♯
D7/G♯
Cmaj7/A
C/C
A6/D♯
Gmaj7/C♯
%
%
G/D
G♯/D
F/D
G7/D
G/D
A♯/D
F/D
G7/D
G/D
G♯/D
F/D
G7/D
G/D
A♯/D
F/D
G7/D
G/D
G♯/D
F/D
G7/D
G/D
A♯/D
F/D
G7/D
G/D
G♯/D
F/D
G7/D
G/D
A♯/D
F/D
G7/D
Eadd9/A♯
D7/G♯
Cmaj7/A
C/C
A6/D♯
Gmaj7/C♯
%
%
%
%
%
%
%
%
%
%
%
%
A6/D♯
A♯maj7♯11
D/B
A♯maj7♯11/B
A/E
C/E
G/E

Chord Diagrams — Lua Soberana in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
G/D
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
G♯/D
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
F/D
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
G7/D
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
A♯/D
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
Eadd9/A♯
4frEADGBE11x324
EADGBE2314
6frEADGBEx21x34
12frEADGBExx3214
F♯m9
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
Fmaj7
EADGBExx321
EADGBE111423
3frEADGBE11x333
8frEADGBE111324
D7/G♯
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
Cmaj7/A
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
Am9
EADGBEx2413
5frEADGBE111134
8frEADGBE132
10frEADGBEx21344
C/C
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
A♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
A6/D♯
EADGBE1111x
4frEADGBE2x143x
5frEADGBE113x24
10frEADGBEx4231x
Gmaj7/C♯
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
G9
EADGBE11234x
EADGBE31
3frEADGBE111324
9frEADGBE221334
A9
EADGBE11x32
2frEADGBE431
5frEADGBE111324
11frEADGBEx21333
C9
EADGBE221334
7frEADGBE112344
7frEADGBE131214
9frEADGBExx2143
A♯maj7♯11
EADGBE11x234
5frEADGBE111123
6frEADGBE111234
10frEADGBE11x423
D/B
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
A♯maj7♯11/B
EADGBE11x234
5frEADGBE111123
6frEADGBE111234
10frEADGBE11x423
A♯maj7
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x
A/E
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
C/E
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
G/E
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432

Explore More

Lua Soberana in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to G (descending perfect fourth), G to G# (ascending half step), G# to F (descending minor third), F to G (ascending whole step), G to A# (ascending minor third), A# to A (descending half step), A to E (descending perfect fourth), E to F# (ascending whole step), F# to E (descending whole step), E to A (ascending perfect fourth), A to F (descending major third), F to D (descending minor third), D to C (descending whole step), C to A (descending minor third), A to C (ascending minor third), C to A# (descending whole step), A# to D (ascending major third), D to A (descending perfect fourth), A to G (descending whole step), G to G (ascending unison), G to A (ascending whole step), A to C (ascending minor third), C to A# (descending whole step), A# to D (ascending major third), D to B (descending minor third), B to A# (descending half step), A# to F# (descending major third), F# to G (ascending half step), G to A# (ascending minor third), A# to A# (ascending unison), A# to A (descending half step), A to C (ascending minor third), C to G (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to C by perfect fourth.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

afoxe4/4 · 81 bars · Form: ABC

Chords: C, G/D, G♯/D, F/D, G7/D, A♯/D, Amaj7, Eadd9/A♯, F♯m9, Em7, A7, Fmaj7, D7/G♯, Cmaj7/A, Am9, C/C, A♯, D, A6/D♯, Gmaj7/C♯, G9, A9, C9, A♯maj7♯11, D/B, Bm7, A♯7, F♯m7, Gm7, A♯maj7♯11/B, A♯maj7, A/E, C/E, G/E.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C