Do Re MiC D E

Flor De Lis

Djavan4/4bossa-nova
G♯maj9
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G♯maj9
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G♯maj9
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C7♯5
F7♭9♯5
F7♭9♯5
G♯maj9
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C7♯5
F7♭9♯5
F7♭9♯5
G♯maj9
C♯maj9
D♯9sus4
G♯9sus4
C♯maj9
D♯9sus4
G♯maj9
D♯7♭9♯5
G♯maj9
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%
G♯maj9
%
%
G♯maj9
%
C7♯5
F7♭9♯5
F7♭9♯5
G♯maj9
%
C7♯5
F7♭9♯5
F7♭9♯5
G♯maj9
C♯maj9
D♯9sus4
G♯9sus4
C♯maj9
D♯9sus4
G♯maj9
D♯7♭9♯5
G♯maj9
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%
G♯maj9
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Chord Diagrams — Flor De Lis in G# (Guitar)

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Flor De Lis in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to G (ascending perfect fourth), G to F# (descending half step), F# to F (descending half step), F to C (descending perfect fourth), C to D# (ascending minor third), D# to C (descending minor third), C to F (ascending perfect fourth), F to E (descending half step), E to D# (descending half step), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to F (descending half step), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to G# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 140 bars · Form: AB

Chords: G♯maj9, C♯m7, Gm9, C7♯5, Fm9, A♯9, D♯m9, G♯9, Dm7, G7♭9, F♯maj7, F7♭9♯5, Cm9, D♯9, C7♭9, Fm7, Edim7, D♯m7, C♯maj9, F♯9, F9, D♯9sus4, G♯9sus4, D♯7♭9♯5.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#