Do Re MiC D E

Dolphin, The

Eca Luiz4/4bossa-nova

Chord Diagrams — Dolphin, The in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
C7♯11
3frEADGBE111x23
EADGBE11x234
7frEADGBE111234
10frEADGBExx1234
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
Dmaj7
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
E7/A
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
C♯7alt
EADGBEx4321
3frEADGBEx2341
4frEADGBEx1234x
8frEADGBExx4312
F♯7alt
EADGBExx4312
EADGBE11243x
4frEADGBExx1243
9frEADGBE11x234
Fmaj7
EADGBExx321
EADGBE111423
3frEADGBE11x333
8frEADGBE111324
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
E7♭9
EADGBE312
4frEADGBE1134
6frEADGBE11x234
10frEADGBE3241xx
Am7
EADGBEx21
EADGBEx2314
5frEADGBE111113
7frEADGBE11x423
D7sus4
EADGBExx214
3frEADGBEx2341x
5frEADGBE111134
10frEADGBE111134
Gmaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
A♯7♭13
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
D♯m
6frEADGBE111342
EADGBExx1342
EADGBExx3241
11frEADGBE111134
D♯mMaj7
6frEADGBE11x423
EADGBExx1342
3frEADGBEx4312x
11frEADGBE111132
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
D♯m6
7frEADGBExx2314
EADGBE111x32
4frEADGBE11x324
11frEADGBE111234
D7♭9♯9
D - F♯ - A - C - E♭ - F
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
F♯m7♭5
4frEADGBE222xx1
EADGBE2341
9frEADGBEx1324x
10frEADGBE11xx24
B7♭13
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
Em7♭5
EADGBE33312
7frEADGBEx1324x
8frEADGBE11xx24
11frEADGBE2x341x
A7♭9
EADGBE11x23
5frEADGBE111423
6frEADGBE11xx23
11frEADGBE11x234
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
A7♭9sus4
EADGBE11x23
5frEADGBE111423
6frEADGBE11xx23
11frEADGBE11x234
B7alt
EADGBEx1234x
6frEADGBExx4312
7frEADGBE1243x
9frEADGBExx123
E7alt
2frEADGBExx1243
EADGBE132xx
5frEADGBE42x13
7frEADGBE1234
A7alt
EADGBEx123x
4frEADGBEx4312
8frEADGBEx4132
12frEADGBEx1234x
B7
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
7frEADGBE111132
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
Amaj7
EADGBEx213
EADGBE111x4
5frEADGBE111423
7frEADGBE333x1
F7/E
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
Emaj7
EADGBE312
EADGBE333xx1
4frEADGBE111x43
7frEADGBE111324

Explore More

Dolphin, The in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to C (ascending half step), C to A (descending minor third), A to D (ascending perfect fourth), D to E (ascending whole step), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to F (descending half step), F to B (ascending tritone), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to A# (ascending minor third), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to D# (ascending unison), D# to D# (ascending unison), D# to D# (ascending unison), D# to D (descending half step), D to D (ascending unison), D to F# (ascending major third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to G (descending whole step), G to C (ascending perfect fourth), C to E (ascending major third), E to A (ascending perfect fourth), A to B (ascending whole step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to B (ascending whole step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to F (descending major third), F to E (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to B by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 48 bars · Form: ABCA

Chords: Bmaj7, C7♯11, A7, Dmaj7, E7/A, C♯7alt, F♯7alt, Fmaj7, Bm7♭5, E7♭9, Am7, D7sus4, Gmaj7, A♯7♭13, D♯m9, D♯m, D♯mMaj7, D♯m7, D♯m6, D7♭9♯9, D7, F♯m7♭5, B7♭13, Em7♭5, A7♭9, Gm7, C7, Em7, A7♭9sus4, B7alt, E7alt, A7alt, B7, E7, Amaj7, F7/E, Emaj7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A