Do Re MiC D E

Dindi

Jobim Antonio-Carlos4/4bossa-nova

Chord Diagrams — Dindi in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112

Explore More

Dindi in E

Jobim's romantic bossa gem draws Lydian luminosity and Bebop Major warmth into a deeply expressive E setting. The expansive melody demands broad phrasing and sensitive dynamic control from any soloist. Internalize the Emaj7 – Dmaj7 – C#maj7 – A#m9 – D#m9 – G#13 – Bm7 – E7 – Amaj7 – AmMaj7 – E6 – A#m7b5 – D#7b9 – G#m – Em6 – G#m7 – C#7b9 – F#m – Dm6 – F#m7 – B7b9 – D7 changes to experience how Lydian color transforms major harmony into something genuinely transcendent.

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to D (descending whole step), D to C# (descending half step), C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to E (descending perfect fourth), E to A# (ascending tritone), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to E (descending major third), E to G# (ascending major third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to D (descending major third), D to F# (ascending major third), F# to B (ascending perfect fourth), B to D (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 48 bars · Form: ABA

Chords: Emaj7, Dmaj7, C♯maj7, A♯m9, D♯m9, G♯13, Bm7, E7, Amaj7, AmMaj7, E6, A♯m7♭5, D♯7♭9, G♯m, Em6, G♯m7, C♯7♭9, F♯m, Dm6, F♯m7, B7♭9, D7.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E