Do Re MiC D E

Começar De Novo (The Island)

Lins Ivan4/4ballad

Chord Diagrams — Começar De Novo (The Island) in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em9
5frEADGBEx21344
EADGBE24
EADGBE1243
10frEADGBE11324
A9
5frEADGBE111324
2frEADGBE431
EADGBE11x32
11frEADGBEx21333
A13
5frEADGBE111324
EADGBEx123
3frEADGBE4231
11frEADGBE44x213
D9
4frEADGBE221334
7frEADGBEx1234
9frEADGBE11234x
10frEADGBE111324
D7♭9
4frEADGBE11x234
2frEADGBExx431
5frEADGBE11x24
8frEADGBE3241xx
Gmaj7
3frEADGBE111423
EADGBE321
5frEADGBE11333x
10frEADGBE11x324
Cmaj7
3frEADGBE111324
EADGBE231
5frEADGBE111xx4
10frEADGBE333xx1
F♯m7♭5
4frEADGBE222xx1
EADGBE2341
9frEADGBEx1324x
10frEADGBE11xx24
B7♭9♭13
B - D♯ - F♯ - A - C - G
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
D♯maj7
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
8frEADGBE111xx4
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
Cm7
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
F9
EADGBExx2143
EADGBE111324
7frEADGBE221334
10frEADGBE1111x2
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
G♯maj
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
C7
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
8frEADGBE111132
Fm
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
C♯m
EADGBEx4213x
4frEADGBE111342
6frEADGBE1132x4
9frEADGBE111134
G7♭9♭13
G - B - D - F - A♭ - E♭
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
C♯maj7
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
9frEADGBE1x342x
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
Fm9
EADGBEx1234
EADGBE111134
6frEADGBEx21344
11frEADGBE21344
A♯9
5frEADGBE11234x
EADGBEx1234
6frEADGBE111324
12frEADGBEx21333
A♯13
4frEADGBE1132
EADGBE44x12
6frEADGBE111234
12frEADGBE44x213
D♯9
5frEADGBEx21334
EADGBExx132
10frEADGBE3142xx
11frEADGBE111324
D♯7♭9
5frEADGBE11x234
EADGBExx24
6frEADGBE11x34
9frEADGBE3241xx
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Gm7♭5
5frEADGBE222xx1
EADGBE3xx421
EADGBE2x341x
10frEADGBEx1324x
C7♭9♭13
C - E - G - B♭ - D♭ - A♭
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Emaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
F♯9
3frEADGBExx2143
EADGBE111324
8frEADGBE221334
11frEADGBE1111x2
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
G♯7♭9♭13
G♯ - C - D♯ - F♯ - A - E
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
F♯m9
7frEADGBEx21344
EADGBE2314
EADGBE111123
10frEADGBExx2413
B9
8frEADGBExx2143
EADGBEx21334
4frEADGBE111432
7frEADGBE111324
B13
7frEADGBE111234
EADGBE44x213
EADGBE111134
4frEADGBE111432
E9
6frEADGBE221334
EADGBE213
EADGBE113x42
9frEADGBE11112
E7♭9
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx
G♯m7♭5
6frEADGBE222xx1
EADGBExx13
EADGBE2x341x
11frEADGBEx1324x
C♯7♭9♭13
C♯ - F - G♯ - B - D - A

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Começar De Novo (The Island) in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F# (ascending tritone), F# to B (ascending perfect fourth), B to F (ascending tritone), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D (descending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to F (ascending perfect fourth), F to C# (descending major third), C# to G (ascending tritone), G to B (ascending major third), B to C# (ascending whole step), C# to G (ascending tritone), G to F (descending whole step), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G (descending half step), G to C (ascending perfect fourth), C to F# (ascending tritone), F# to E (descending whole step), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to C# (ascending major third), C# to G# (descending perfect fourth), G# to D (ascending tritone), D to G# (ascending tritone), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to E (ascending unison), E to G# (ascending major third), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to E by minor third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 85 bars · Form: ABC

Chords: Em9, A9, A13, D9, D7♭9, Gmaj7, Cmaj7, F♯m7♭5, B7♭9♭13, Fm7, A♯7, D♯maj7, Dm7, G7, Cm7, F9, A♯m7, D♯7, G♯maj, C7, Fm, C♯m, G7♭9♭13, B7, C♯maj7, Gm7, Fm9, A♯9, A♯13, D♯9, D♯7♭9, G♯maj7, Gm7♭5, C7♭9♭13, F♯m7, Emaj7, D♯m7, G♯7, C♯m7, F♯9, Bm7, E7, Amaj7, C♯7, G♯7♭9♭13, Dmaj7, G♯m7, F♯m9, B9, B13, E9, E7♭9, G♯m7♭5, C♯7♭9♭13.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E