Do Re MiC D E

Casa Forte

Lobo Edu4/4samba
Cmaj9
%
Bm69
%
Cmaj9
%
Bmaj9
%
A13sus4
%
G♯13sus4
%
A13sus4
%
G♯13sus4
%
Cmaj9
%
Bm69
%
Cmaj9
%
Bmaj9
%
A13sus4
%
G♯13sus4
%
A13sus4
%
Cmaj9
%
F♯7/C♯
D/C
G♯m11
%
Em/B♭
%
Esus4/D
Dsus4/D
Esus4/D
Dsus4/D
F♯7/C♯
D/C
G♯m11
%
Em/B♭
%
Esus4/D
Dsus4/D
Esus4/D
Dsus4/D
F♯7/C♯
D/C
G♯m11
F♯7/C♯
D/C
G♯m11
%
%
%
%
F♯7/C♯
D/C
Cmaj9
%
Bm69
%
Cmaj9
%
Bmaj9
%
A13sus4
%
G♯13sus4
%
A13sus4
%
G♯13sus4
%
Cmaj9
%
Bm69
%
Cmaj9
%
Bmaj9
%
A13sus4
%
G♯13sus4
%
A13sus4
%
Cmaj9
%
F♯7/C♯
D/C
G♯m11
%
Em/B♭
%
Esus4/D
Dsus4/D
Esus4/D
Dsus4/D
F♯7/C♯
D/C
G♯m11
%
Em/B♭
%
Esus4/D
Dsus4/D
Esus4/D
Dsus4/D
F♯7/C♯
D/C
G♯m11
F♯7/C♯
D/C
G♯m11
%
%
%
%

Chord Diagrams — Casa Forte in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cmaj9
5frEADGBE11113
EADGBEx3
EADGBE22143x
8frEADGBE11x234
Bm69
5frEADGBE2233x1
EADGBEx2134
7frEADGBE112234
9frEADGBE1112x3
Bmaj9
6frEADGBE11243x
EADGBE22143x
4frEADGBE11xx34
8frEADGBExx2143
A13sus4
5frEADGBE111324
EADGBEx123
3frEADGBE4231
11frEADGBE44x213
G♯13sus4
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
F♯7/C♯
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
D/C
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
G♯m11
EADGBE111342
4frEADGBE111114
6frEADGBE11xx23
9frEADGBE11x334
G7
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
Em/B♭
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
Esus4/D
2frEADGBE11234
EADGBE234
7frEADGBE111234
9frEADGBE11xx2
Dsus4/D
3frEADGBEx314
EADGBExx123
5frEADGBE111234
10frEADGBE111234
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132

Explore More

Casa Forte in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through C to B (descending half step), B to B (ascending unison), B to A (descending whole step), A to G# (descending half step), G# to B (ascending minor third), B to F# (descending perfect fourth), F# to D (descending major third), D to G# (ascending tritone), G# to G (descending half step), G to E (descending minor third), E to E (ascending unison), E to D (descending whole step), D to F# (ascending major third), F# to G# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to C by major third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 143 bars · Form: ABC

Chords: Cmaj9, Bm69, Bmaj9, A13sus4, G♯13sus4, Bm, F♯7/C♯, D/C, G♯m11, G7, Em/B♭, Esus4/D, Dsus4/D, F♯7, G♯m7.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B