Do Re MiC D E

Canto De Ossanha

Vinicius de Moraes - Baden Powell4/4bossa-nova

Chord Diagrams — Canto De Ossanha in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
B6
EADGBE3333x1
EADGBEx312x
7frEADGBE1x324x
9frEADGBE11xx34
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
Amaj7
EADGBEx213
EADGBE111x4
5frEADGBE111423
7frEADGBE333x1
G♯
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
G♯69
EADGBE11111x
EADGBE111234
5frEADGBExx2134
10frEADGBE11x234
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
C♯6
EADGBEx4231x
4frEADGBE3333x1
6frEADGBE111423
9frEADGBE11x324
A♯9
EADGBEx1234
5frEADGBE11234x
6frEADGBE111324
12frEADGBEx21333
D♯7sus4
EADGBExx1324
4frEADGBE11x234
6frEADGBE111134
11frEADGBE111134
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
G♯11
6frEADGBE111123
4frEADGBE111112
9frEADGBE11x324
11frEADGBE1111x3
F♯13
7frEADGBEx4231
EADGBE2314
EADGBE111234
9frEADGBE111134
B
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
C♯9
8frEADGBE3142xx
EADGBE221334
9frEADGBE111324
10frEADGBExx2143
A♯7♭9/B
6frEADGBE111x23
EADGBEx123
4frEADGBE3241xx
12frEADGBE11x234
D♯7♭13
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132

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Canto De Ossanha in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to B (ascending minor third), B to A# (descending half step), A# to A (descending half step), A to G# (descending half step), G# to G# (ascending unison), G# to F (descending minor third), F to C# (descending major third), C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to A# (descending minor third), A# to D# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to G# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 92 bars · Form: ABCD

Chords: G♯m, B6, A♯7, Amaj7, G♯, G♯69, Fm7, C♯6, A♯9, D♯7sus4, D♯13, G♯11, F♯13, B, G♯m7, C♯9, A♯7♭9/B, D♯7♭13.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#